Music as Affective Scaffolding

In David Clarke, Ruth Herbert & Eric Clarke (eds.), Music and Consciousness II. Oxford: Oxford University Press (forthcoming)
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Abstract
For 4E cognitive science, minds are embodied, embedded, enacted, and extended. Proponents observe that we regularly ‘offload’ our thinking onto body and world: we use gestures and calculators to augment mathematical reasoning, and smartphones and search engines as memory aids. I argue that music is a beyond-the-head resource that affords offloading. Via this offloading, music scaffolds access to new forms of thought, experience, and behaviour. I focus on music’s capacity to scaffold emotional consciousness, including the self-regulative processes constitutive of emotional consciousness. In developing this idea, I consider the ‘material’ and ‘worldmaking’ character music, and I apply these considerations to two case studies: music as a tool for religious worship, and music as a weapon for torture.
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First archival date: 2017-12-12
Latest version: 2 (2019-09-03)
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References found in this work BETA
The Emotions.Frijda, Nico H.
Embodied Cognition.Shapiro, Lawrence
Phenomenology of Perception.Merleau-Ponty, Maurice
Phenomenology of Perception.Gurwitsch, Aron; Merleau-Ponty, M. & Smith, Colin

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Citations of this work BETA
Affective Affordances and Psychopathology.Krueger, Joel & Colombetti, Giovanna
Music Listening for Supporting Adolescents’ Sense of Agency in Daily Life.Saarikallio, Suvi Helinä; Randall, William M. & Baltazar, Margarida

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