Abstract

This essay delves into the potential non-Western contributions to the technosphere by exploring Russian perspectives within Yuk Hui’s framework of cosmotechnics. Hui's concept emphasizes "good technology"—aligned with local cosmologies and moral practices, integrating sustainability and ecological preservation. By drawing parallels with China's distinct cosmological underpinnings in technical creativity, the essay questions whether Russian civilization can provide similarly unique contributions. The text investigates the evolution of the technosphere, distinguishing between instrumental and bio-artificial components, while situating Russian technical thought within broader global contrasts. Despite an outward resemblance to Western technological development, Russia’s distinctiveness emerges in social technologies, state-driven innovation, and its cosmological foundation, particularly the "Russian cosmism" of the 1960s. Through a focus on co-creation with God, universal responsibility, and theoretical prioritization, the essay identifies multidimensional understanding and the moral imperative of service as hallmarks of Russian technical creativity. These features highlight a unique trajectory that complements Hui’s concept of cosmotechnics, emphasizing Russia’s potential to enrich global discussions on decolonizing technology.