Anotaciones para una revalorización del arte colonial con relación a Dios: El misticismo de Sor Francisca del Castillo

Revista Questionae Disputatae 12 (25):31-46 (2019)
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Abstract
Through the 'Spiritual Affections' of the Abbess of Tunja, Sister Francisca Josefa de la Concepción del Castillo, a reflection on colonial art is posed around the question of its apparent usefulness as a 'vehicle of evangelization', investigating its genuine purpose in the mysticism of the Mother of the Castle and the relationship of her work with Him. The aesthetic purpose of the work of colonial art is to bring the Divine closer to the human, trying to reflect and communicate the testimony of a mystical spiritual search and experience lived by the author, inspired and revealed by God. A través de los 'Afectos Espirituales' de la Abadesa de Tunja, Sor Francisca Josefa de la Concepción del Castillo, se plantea una reflexión acerca del arte colonial en torno a la cuestión de su aparente utilidad como 'vehículo de evangelización', indagando su genuino propósito en el misticismo de la Madre del Castillo y la relación de su obra con Él. Se planteará que el propósito estético de la obra de arte colonial es acercar lo Divino a lo humano, intentado reflejar y comunicar el testimonio de una búsqueda y experiencia espiritual mística vivenciada por la autora, inspirada y develada por Dios.
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