View topic on PhilPapers for more information
Related categories

62 found
Order:
More results on PhilPapers
1 — 50 / 62
  1. added 2019-09-22
    Etika ako estetika existencie v prieniku súčasnej kultúry a filozofie.Lukáš Švihura - 2017 - In Oľga Sisáková (ed.), Umenie života vo filozofickej reflexii. Prešov, Slovensko: pp. 57-78.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  2. added 2019-09-22
    Byť Európanom. Estetizácia etiky Andreja Vandráka.Lukáš Švihura - 2017 - In Vasil Gluchman (ed.), Etické myslenie minulosti a súčasnosti. Etika v minulosti - minulosť v etike / Ethical Thinking Past & Present. Ethics in the Past - the Past in Ethics. Prešov, Slovensko: pp. 129-148.
    The article updates the work of an important Prešov philosopher and educator Andrej Vandrák The Elements of Philosophical Ethics, which shows that scientific personalities of 19th century Prešov were intellectually close to European thought schools. Apart from Kant and Fries Vandrák’s works were also influenced by European philosophy as a whole, thus influencing Vandrák’s perception of inter alia, good and beautiful and the connection between ethical and aesthetic. These thought in Vandrák’s works show known European tendency and the topic which, (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  3. added 2019-09-12
    Etika ako estetika existencie (Pokus o určenie trendov estetizácie ľudskej skúsenosti).Lukáš Švihura - 2014 - 9. Študentská Vedecká Konferencia: Zborník Plných Príspevkov.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark   1 citation  
  4. added 2019-08-29
    Aesthetics of History: The Example of Russia / Эстетика Истории: Пример России.Pavel Simashenkov - 2019 - Modern European Researches 3 (2019):47-55.
    The article highlights the problem of studying historical time in terms of aesthetics and social ethics. The essence of history, according to the author, is not so much in retrospection or reflection, but in the gap between feeling and awareness. Guided by the apophatic method, the author analyzes the historiosophical views of domestic and foreign scholars and comes to the conclusion that the Soviet paradigm is true, where the only vector of human development is the liberation of labor in the (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  5. added 2019-07-22
    Morality and Art: The Case of Huck Finn (Mark Twain's The'Adventures of Huckleberry Finn').Donovan Miyasaki - 2007 - Philosophy and Literature 31 (1):125-132.
    In the following essay, I argue that in the case of some works of art, moral evaluation should not play a role in artistic appraisal. While I reject the strong ethicist’s view—the view that moral evaluation may inform the artistic evaluation of any artwork—I will not do so in favor of the aestheticist’s position. The aestheticist argues for a rigid distinction between the moral and aesthetic evaluation of an artwork. On this view, the moral status of the work is independent (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  6. added 2019-06-21
    Historical progress and involution of ideals / Исторический прогресс и инволюция идеалов.Pavel Simashenkov - 2017
    My book is about the human creativity being a source of progress, and cycling of evolution caused by platitude and triviality of once high-reaching idealism. In essence the book presents an original perception of human history, based on Christian values as vital coordinates system. I hope this book will revive the interest to the Russian school of thoughts and to humanism in general.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark   1 citation  
  7. added 2019-06-06
    Visualität und Geschichte. Bilder als historische Akteure im Anschluss an Verkörperungstheorien.Martina Sauer - 2015 - In Grüne Niels & Oberhauser Claus (eds.), Jenseits des Illustrativen. Visuelle Medien und Strategien politischer Kommunikation. V&R uni press. pp. 39-60.
    Do have pictures an impact on future? Yes, say theories of embodiment by making perceptual foundations in place of representational arrangements responsible for it. -/- Wirken sich Bildern auf die Zukunft aus? Ja sagen Verkörperungstheorien und machen dafür weniger Repräsentationsmodelle als Wahrnehmungsweisen verantwortlich.
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark   3 citations  
  8. added 2019-06-06
    Contingency and Necessity: Human Agency in Musil’s The Man Without Qualities.Barbara Sattler - 2014 - The Monist 97 (1):86-103.
    This paper argues that the problem of how to act in the face of radical contingency is of central importance in Musil’s novel and intimately connected to what Musil calls the sense of possibility. There is a variety of different strategies by which individuals, and the state of Kakania as a whole, deal with contingency, and they all involve a claim to a kind of grounding or necessity; for example, the Parallel Campaign is one big attempt to ground Kakania in (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   1 citation  
  9. added 2019-06-06
    Good Sense, Art, and Morality in Hume's ‘Of the Standard of Taste’.Reed Winegar - 2011 - Journal of Scottish Philosophy 9 (1):17-35.
    In his essay ‘Of the Standard of Taste,’ Hume argues that artworks with morally flawed outlooks are, to some extent, aesthetically flawed. While Hume's remarks regarding the relationship between art and morality have influenced contemporary aestheticians, Hume's own position has struck many people as incoherent. For Hume appears to entangle himself in two separate contradictions. First, Hume seems to claim both that true judges should not enter into vicious sentiments and that true judges should adopt the standpoint of an artwork's (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  10. added 2019-06-05
    The Ethics of Singing Along: The Case of “Mind of a Lunatic”.Aaron Smuts - 2013 - Journal of Aesthetics and Art Criticism 71 (1):121-129.
    In contrast to film, theater, and literature, audiences typically sing along with popular songs. This can encourage a first-person mode of engagement with the narrative content. Unlike mere spectators, listeners sometimes imagine acting out the content when it is recited in the first-person. This is a common mode of engaging with popular music. And it can be uniquely morally problematic. It is problematic when it involves the enjoyment of imaginatively doing evil. I defend a Moorean view on the issue: It (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   3 citations  
  11. added 2019-06-05
    Review of Paul Crowther The Kantian Aesthetic. [REVIEW]Jennifer A. McMahon - 2011 - British Journal of Aesthetics 51 (2):229-231.
    Paul Crowther provides interpretations of key concepts in Kant’s Critique of Aesthetic Judgment, indicating (particularly in very informative footnotes) how his views compare with those of other Kant commentators such as Paul Guyer, Rachel Zuckert, Béatrice Longuenesse, Henry Allison, Donald Crawford, Robert Wicks and others. One might be inclined to ask whether yet another interpretation of Kant’s third critique was needed, yet compared to his other two critiques, Kant’s Critique of Judgment can still be regarded as the neglected sibling. Its (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  12. added 2019-05-02
    The Fear of Aesthetics in Art and Literary Theory.Sam Rose - 2017 - New Literary History 48 (2):223-244.
    Is aesthetics, as has recently been claimed, now able to meet the accusations often levelled against it? This essay examines counters to three of the most common: that aesthetics is based around overly narrow conceptions of "art" and "the aesthetic"; that aesthetics is politically disengaged; and that aesthetics fails to engage with actual art objects and their histories.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  13. added 2019-02-17
    Cultural Appropriation and Oppression.Erich Hatala Matthes - 2019 - Philosophical Studies 176 (4):1003-1013.
    In this paper, I present an outline of the oppression account of cultural appropriation and argue that it offers the best explanation for the wrongfulness of the varied and complex cases of appropriation to which people often object. I then compare the oppression account with the intimacy account defended by C. Thi Nguyen and Matt Strohl. Though I believe that Nguyen and Strohl’s account offers important insight into an essential dimension of the cultural appropriation debate, I argue that justified objections (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   1 citation  
  14. added 2019-02-17
    Beautiful Bodhisattvas: The Aesthetics of Spiritual Exemplarity.Ian James Kidd - 2017 - Contemporary Buddhism 18 (2):331-345.
    The world’s spiritual traditions incorporate a variety of types of exemplar, persons who exemplify a life of aspiration to, or attainment of, spiritual goods. Within Buddhism, the range of exemplars includes monastics, boddhisattvas, the Zen masters, and the Buddha himself. Spiritual exemplars are typically described as having a distinctive form of bodily beauty, closely related to their ethical and spiritual qualities, that manifests as a form of radiance, luminosity, or charisma. Drawing on recent work on beauty, virtue, and the body (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   2 citations  
  15. added 2018-12-13
    Cultural Appropriation and the Intimacy of Groups.C. Thi Nguyen & Matthew Strohl - 2019 - Philosophical Studies 176 (4):981-1002.
    What could ground normative restrictions concerning cultural appropriation which are not grounded by independent considerations such as property rights or harm? We propose that such restrictions can be grounded by considerations of intimacy. Consider the familiar phenomenon of interpersonal intimacy. Certain aspects of personal life and interpersonal relationships are afforded various protections in virtue of being intimate. We argue that an analogous phenomenon exists at the level of large groups. In many cases, members of a group engage in shared practices (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  16. added 2018-12-08
    Sympathy for the Scientist: Re-Calibrating a Heideggerian Critique of Metaphysics.Jonathan Morgan - manuscript
    This paper attempts to develop an ethico-aesthetic framework for enriching one's life and ethical outlook. Drawing primarily from Nietzsche, Foucault, and Heidegger, an argument is made that Heidegger's understanding of this issue was mistaken. The ontological crisis of modernity is not the overt influence of mathematics as a worldview over poetics and more traditionally aesthetic approaches. It is the rampant mis-and over-application of abstraction within one's view of the world while denying the material realities of life as we live it. (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  17. added 2018-08-01
    James Warren, “The Pleasures of Reason in Plato, Aristotle, and the Hellenistic Hedonists.” Review by Facundo Bey. [REVIEW]Facundo Bey - 2016 - Boletín de Estética 36:71-76.
    The Pleasures of Reason in Plato, Aristotle, and the Hellenistic Hedonists se centra en la relación mutua entre las capacidades humanas de sentir placer y dolor y el carácter afectivo que las une con las facultades cognitivas de aprender, comprender, recordar, evocar, planificar y anticiparse. Para esto, Warren consagra toda su agudeza analítica a eminentes obras del pensamiento antiguo: particularmente nos referimos a los diálogos platónicos República, Protágoras y Filebo. Otro tanto hace con De Anima, De Memoria et Reminiscentia, Ética (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  18. added 2018-03-27
    Leo Tolstoy’s tragic death and his impacts on Max Weber and György Lukács: On autonomy of arts and science/ O tema da morte trágica de Liev Tolstói e set impacto em Max Weber e György Lukács: Sobre a autonomia nas ciências e na arte.Luis F. Roselino - 2014 - Revista História E Cultura 3 (1):150-171.
    The tragic death in Tolstoy's writings has helped both Max Weber and György Lukács in characterizing the modern pathos as a tragic contemplation of the emptiness of life. Through Tolstoy's readings, Weber and Lukács found an interesting source of denying arts and modern sciences autonomy, considering, from the aesthetics sphere, the meaningless of this new immanent reality. Both has assumed Tolstoy main theme from the same perspective, contrasting ancient and modern worldviews. Max Weber presented this theme in his disenchantment of (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  19. added 2018-02-22
    Freedom and the Value of Games.Jonathan Gingerich - 2018 - Canadian Journal of Philosophy 48 (6):831-849.
    This essay explores the features in virtue of which games are valuable or worthwhile to play. The difficulty view of games holds that the goodness of games lies in their difficulty: by making activities more complex or making them require greater effort, they structure easier activities into more difficult, therefore more worthwhile, activities. I argue that a further source of the value of games is that they provide players with an experience of freedom, which they provide both as paradigmatically unnecessary (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  20. added 2018-01-10
    Ante la fragilidad de la memoria.Carlos Vanegas, Javier Domínguez, Carlos Arturo Fernández & Daniel Tobón - 2014 - In Carlos Vanegas, Javier Domínguez, Carlos Arturo Fernández & Daniel Tobón (eds.), El arte y la Fragilidad de la memoria. Medellín, Colombia: Sílaba Editores. pp. 259-275.
    Si no me falla la memoria, fue el dibujante Álvaro Barrios quien afirmó que el trabajo del artista contemporáneo colombiano se desarrolla según una agenda de trabajo. Si miramos algunos fenómenos del arte último en Colombia, podemos señalar que su agenda está determinada por el intento de comprensión de los procesos de la violencia en el país, a partir de una amplia gama de aproximaciones al concepto de memoria que ha tenido resonancia en las disciplinas humanísticas, las investigaciones académicas, el (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  21. added 2018-01-10
    La esfera pública y El bar de las Folies Bergère de Edouard Manet.Carlos Vanegas - 2014 - Revista Colombiana de Pensamiento Estético E Historia Del Arte:121-137.
    The main discourses on art during the nineteenth century defined the artist as a spirit that should express their unbridled creativity, and overall that had the strength to express its total personal autonomy from institutional processes of culture. Thus, Manet’s work A bar at the Folies—Bergere contains substantial elements that express and help us to understand both the role of the artist, as the crisis of meaning in the work of modern art and problematic public sphere, treated by Haberma's as (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  22. added 2017-12-14
    The Neglected Harms of Beauty: Beyond Engaging Individuals.Heather Widdows - 2017 - Journal of Practical Ethics 5 (2):1-29.
    This paper explores the neglected ‘harms-to-others’ which result from increased attention to beauty, increased engagement in beauty practices and rising minimal beauty standards. In the first half of the paper I consider the dominant discourse of beauty harms – that of ethics and policy – and argue that this discourse has over-focused on the agency of, and possible harms to, recipients of beauty practices. I introduce the feminist discourse which recognises a general harm to all women and points towards an (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  23. added 2017-11-02
    Beauty Before the Eyes of Others.Jonathan Fine - 2016 - In Proceedings of the European Society for Aesthetics. Fribourg: The European Society for Aesthetics. pp. 164-176.
    This paper pursues the philosophical significance of a relatively unexplored point of Platonic aesthetics: the social dimension of beauty. The social dimension of beauty resides in its conceptual connection to shame and honour. This dimension of beauty is fundamental to the aesthetic education of the Republic, as becoming virtuous for Plato presupposes a desire to appear and to be admired as beautiful. The ethical significance of beauty, shame, and honour redound to an ethically rich notion of appearing before others which (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  24. added 2017-10-11
    Genre Moderates Morality’s Influence on Aesthetics.Shen-yi Liao - manuscript
    The present studies investigate morality’s influence on aesthetics and one potential moderator of that influence: genre. Study 1 finds that people’s moral evaluation positively influence their aesthetic evaluation of an artwork. Study 2 and 3 finds that this influence can be moderated by the contextual factor of genre. These results broaden our understanding of the relationship between morality and aesthetics, and suggest that models of art appreciation should take into account morality and its interaction with context. [Unpublishable 2010-2017.].
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  25. added 2017-08-07
    Emancipated Beauty.Peg Zeglin Brand Weiser - 2009 - In Marc Nouschi and Elisabeth Azoulay (ed.), 100,000 Years of Beauty: Modernity/Globalisations (Volume 4 of 5). Paris, France: Gallimard. pp. 140-142.
    This short essay is part of a 5 volume work entitled 100,000 Years of Beauty complete with more than 300 authors from over 30 countries. I was aksed to write about Simone de Beauvoir and the concept of 'emancipated beauty'; I cast Beauvoir's theory of freedom--combining liberation and equality with beauty and femininity--in defiance of the long-standing and constrictive dichotomy that says women must choose one or the other. Beauvoir's most famous phrase, "One is not born, but rather becomes a (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  26. added 2017-07-24
    Trump is Gross: Taking the Politics of Taste (and Distaste) Seriously.Shelley M. Park - 2017 - Kennedy Institute of Ethics Journal 27 (2):23-42.
    This paper advances the somewhat unphilosophical thesis that “Trump is gross” to draw attention to the need to take matters of taste seriously in politics. I begin by exploring the slipperiness of distinctions between aesthetics, epistemology, and ethics, subsequently suggesting that we may need to pivot toward the aesthetic to understand and respond to the historical moment we inhabit. More specically, I suggest that, in order to understand how Donald Trump was elected President of the United States and in order (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  27. added 2017-07-18
    Experimental Philosophical Aesthetics as Public Philosophy.Aaron Meskin & Shen-yi Liao - 2018 - In Sébastien Réhault & Florian Cova (eds.), Advances in Experimental Philosophy of Aesthetics. New York: Bloomsbury. pp. 309-326.
    Experimental philosophy offers an alternative mode of engagement for public philosophy, in which the public can play a participatory role. We organized two public events on the aesthetics of coffee that explored this alternative mode of engagement. The first event focuses on issues surrounding the communication of taste. The second event focuses on issues concerning ethical influences on taste. -/- In this paper, we report back on these two events which explored the possibility of doing experimental philosophical aesthetics as public (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  28. added 2017-02-15
    The Relationship Between Aesthetic Value and Cognitive Value.Antony Aumann - 2014 - Journal of Aesthetics and Art Criticism 72 (2):117-127.
    Recent attention to the relationship between aesthetic value and cognitive value has focused on whether the latter can affect the former. In this article, I approach the issue from the opposite direction. I investigate whether the aesthetic value of a work can influence its cognitive value. More narrowly, I consider whether a work's aesthetic value ever contributes to or detracts from its philosophical value, which I take to include the truth of its claims, the strength of its arguments, and its (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  29. added 2017-02-13
    Iconology and Formal Aesthetics: A New Harmony. A Contribution to the Current Debate in Art Theory and Philosophy of Arts on the (Picture-)Action-Theories of Susanne K. Langer and John M. Krois.Sauer Martina - 2016 - Sztuka I Filozofia (Art and Philosophy), Warschau 48:12-29.
    Since the beginning of the 20th Century to the present day, it has rarely been doubted that whenever formal aesthetic methods meet their iconological counterparts, the two approaches appear to be mutually exclusive. In reality, though, an ahistorical concept is challenging a historical analysis of art. It is especially Susanne K. Langer´s long-overlooked system of analogies between perceptions of the world and of artistic creations that are dependent on feelings which today allows a rapprochement of these positions. Krois’s insistence on (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  30. added 2017-01-27
    Beauty.Jennifer A. McMahon - 2019 - Oxford Bibliographies Online: Philosophy.
    This is an 18,500 word bibliography of philosophical scholarship on Beauty which was published online in the Oxford Bibliographies Online. The entry includes an Introduction of 800 words, 21 x 400-word sub-themes and 168 annotated references. INTRODUCTION Philosophical interest in beauty began with the earliest recorded philosophers. Beauty was deemed to be an essential ingredient in a good life and so what it was, where it was to be found and how it was to be included in a life were (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  31. added 2017-01-26
    In Defense of Comic Pluralism.Nathaniel Sharadin - 2017 - Ethical Theory and Moral Practice 20 (2):375-392.
    Jokes are sometimes morally objectionable, and sometimes they are not. What’s the relationship between a joke’s being morally objectionable and its being funny? Philosophers’ answers to this question run the gamut. In this paper I present a new argument for the view that the negative moral value of a joke can affect its comedic value both positively and negatively.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  32. added 2017-01-26
    Perceptual Principles as the Basis for Genuine Judgments of Beauty.Jennifer A. McMahon - 2000 - Journal of Consciousness Studies 7 (8-9):8-9.
    This paper comments on an article by V.S. Ramachandran and William Hirstein (JCS,1999) in which they purport to be identifying the neurological principles of beauty. I draw attention to the way the problem of beauty is construed in the philosophical literature by Mary Mothersill (1984) and Immanuel Kant (Critique of Judgment). I argue that Ramachandran and Hirsteins' principles do not address the problem of beauty because they do not differentiate between the experience of beauty and other closely related phenomena. I (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   2 citations  
  33. added 2017-01-17
    An Autonomist View on the Ethical Criticism of Architecture.Ricardo Miguel - 2016 - Philosophy@Lisbon (5):131-141.
    It is a fact that there is ethical criticism about art. Art critics, the general public and even artists point out moral flaws in artworks while evaluating them. Philosophers, however, have maintained a hot debate on the meaning of such criticism. This debate can be understood as a disagreement about the kind of relation between the artistic value of artworks and their alleged moral value. While some claim that moral value can contribute to artistic value (moralism), others claim that there (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  34. added 2016-07-02
    Deve a Interpretação Musical Ser Eticamente Condicionada?António Lopes - manuscript
    The paper addresses the issue of ethical obligations in the performance of musical works in the Western classical tradition, arguing that there are indeed such obligations, although they are not categorical. -/- PT: Na tradição clássica ocidental, as obras de arte musicais, teatrais e, até certo ponto, as coreografias, são criadas por artistas-autores, mas necessitam de ser executadas por intérpretes (instrumentistas, cantores e maestros, actores e encenadores, bailarinos, etc.). Estes são assim chamados porque existe sempre uma dose de descricionariedade, não (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  35. added 2016-06-18
    Morality and Aesthetics of Food.Shen-yi Liao & Aaron Meskin - 2018 - In Anne Barnhill, Mark Budolfson & Tyler Doggett (eds.), The Oxford Handbook on Food Ethics. Oxford University Press. pp. 658-679.
    This chapter explores the interaction between the moral value and aesthetic value of food, in part by connecting it to existing discussions of the interaction between moral and aesthetic values of art. Along the way, this chapter considers food as art, the aesthetic value of food, and the role of expertise in uncovering aesthetic value. Ultimately this chapter argues against both food autonomism (the view that food's moral value is unconnected to its aesthetic value) and Carolyn Korsmeyer's food moralism (the (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   2 citations  
  36. added 2016-06-13
    Charis and Radiance: The Ontological Dimensions of Beauty.Lars Spuybroek - 2014 - In S. Van Tuinen (ed.), Giving and Taking: Antidotes to a Culture of Greed. pp. 119-149.
    This essay developed out of the final chapter of The Sympathy of Things where I related beauty to a notion of radical generosity. Tracing generosity back to the ancient Greeks brought me to a whole new world of grace and “charis”, the etymological root of words like charisma and charity. The essay establishes a fundamental connection between grace and beauty, deeply interrelating movement and object. In the second part the argument develops into an ontology based on the concept of radiance, (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  37. added 2016-03-02
    Aesthetics is the Grammar of Desire.Jennifer A. McMahon - 2015 - Aesthetic Investigations 1 (1):156-164.
    This essay presents the nature of aesthetic judgment, the significance of aesthetic judgment and finally, the relevance of art to understanding aesthetic judgment.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   1 citation  
  38. added 2016-02-16
    Daniel Martin Feige / Judith Siegmund (Eds.): Kunst Und Handlung. Ästhetische Und Handlungstheoretische Perspektiven. Transcript: Bielefeld 2015. [REVIEW]Martina Sauer - 2016 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 16 (2).
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  39. added 2016-02-16
    On the Interest in Beauty and Disinterest.Nick Riggle - 2016 - Philosophers' Imprint 16:1-14.
    Contemporary philosophical attitudes toward beauty are hard to reconcile with its importance in the history of philosophy. Philosophers used to allow it a starring role in their theories of autonomy, morality, or the good life. But today, if beauty is discussed at all, it is often explicitly denied any such importance. This is due, in part, to the thought that beauty is the object of “disinterested pleasure”. In this paper I clarify the notion of disinterest and develop two general strategies (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   4 citations  
  40. added 2015-12-14
    (2015). Bildkraft und Tatkraft: Zum Verhältnis von ästhetischer Erfahrung und Technik im Anschluss an Cassirer, Langer und Krois.Martina Sauer - 2015 - Kongress-Akten, Deutsche Gesellschaft Für Ästhetik, Bd. 3.
    The ability to form „images“ of our experiences with the world (imaging effect) and to adjust our drive and determination in accordance with those images (action effect) is what characterises men, as stipulated by Cassirer and subsequently confirmed by Langer and Krois. Special techniques are required to communicate to others the images of life and how we interpret them. The art as a technique does this masterly by presenting us the views of others on their experiences and wishes through aesthetic (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  41. added 2015-06-28
    On the Aesthetic Ideal.Nick Riggle - 2015 - British Journal of Aesthetics 55 (4):433-447.
    How should we pursue aesthetic value, or incorporate it into our lives, if we want to? Is there an ideal of aesthetic life? Philosophers have proposed numerous answers to the analogous question in moral philosophy, but the aesthetic question has received relatively little attention. There is, in essence, a single view, which is that one should develop a sensibility that would give one sweeping access to aesthetic value. I challenge this view on two grounds. First, it threatens to undermine our (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   2 citations  
  42. added 2015-06-05
    Aesthetics in the Age of Austerity: Building the Creative Class.Christine James - 2015 - In Anthology of Philosophical Studies 9. Athens Institute for Education and Research. pp. 37-48.
    Aesthetic theorists often interpret and understand works of art through the social and political context that creates and inspires the work. The recent economic recessions, and the accompanying austerity measures in many European countries, provide an interesting test case for this contextual understanding. Economists debate whether or not spending on entertainment and arts drops during times of recession and austerity. Some economists assume that spending will decline in times of austerity, but others point to evidence that spending on creative arts (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  43. added 2015-06-01
    Aesthetic Value, Artistic Value, and Morality.Andrea Sauchelli - 2016 - In David Coady, Kimberley Brownlee & Kasper Lipper-Rasmussen (eds.), Blackwell Companion to Applied Philosophy. Blackwell. pp. 514-526.
    This entry surveys issues at the intersection of art and morality. Particular emphasis is placed on whether, and in what way, the moral character of a work of art influences its artistic value. Other topics include the educational function of art and artistic censorship.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  44. added 2015-05-22
    Mit Schiller gegen den "Egoismus der Vernunft".Alfred Gierer - 2012 - In preprint series, Max-Planck_Institute for the history of science. MPI for the History of Science. pp. preprint 424, 1-22.
    Abstract in English: The short essay is about impressive philosophical ideas of the great German dramatist Friedrich Schiller (1749-1805). In his “letters on the aesthetic education…” he critisizes, with respect to human behaviour, too much reason and too stringent principles, leading to a neglect of positive emotions such as empathy; he argues in favour of an aesthetic lifestyle. This is supported by biological as well as mental aspects of human self-understanding. My article follows these lines of thought in a sequence (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  45. added 2015-03-11
    What Moral Virtues Are Required to Recognize Irony?Phillip Deen - 2016 - Journal of Value Inquiry 50 (1):51-67.
    The Onion, a widely known satirical newspaper, frequently finds its articles taken as the literal truth. One article from May 2011, “Planned Parenthood Opens $8 Billion Abortionplex,” featured teenage girls gushing over the amusement park amenities like a ten-screen theater, nightclub and “lazy river” and a fake PR representative touting, “Whether she’s a high school junior who doesn’t want to go to prom pregnant, a go-getter professional who can’t be bothered with the time commitment of raising a child, or a (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  46. added 2015-01-24
    Thoughts on Film: Critically Engaging with Both Adorno and Benjamin.Laura D'Olimpio - 2016 - Educational Philosophy and Theory 48 (6):622-637.
    There is a traditional debate in analytic aesthetics that surrounds the classification of film as Art. While much philosophy devoted to considering film has now moved beyond this debate and accepts film as a mass art, a sub-category of Art proper, it is worth re-considering the criticism of film pre-Deleuze. Much of the criticism of film as pseudo-art is expressed in moral terms. T. W. Adorno, for example, critiques film as ‘mass-cult’; mass produced culture which presents a ‘flattened’ version of (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  47. added 2014-12-01
    Personal Style and Artistic Style.Nick Riggle - 2015 - Philosophical Quarterly 65 (261):711-731.
    What is it for a person to have style? Philosophers working in action theory, ethics, and aesthetics are surprisingly quiet on this question. I begin by considering whether theories of artistic style shed any light on it. Many philosophers, artists, and art historians are attracted to some version of the view that artistic style is the expression of personality. I clarify this view and argue that it is implausible for both artistic style and, suitably modified, personal style. In fact, both (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   3 citations  
  48. added 2014-04-26
    There is No Such Thing as Patriotic Art: Clive Bell on Art and War.Bence Nanay - 2015 - Ethics 125 (2):530-532.
    Clive Bell was not an ethicist. He was an aesthetician, known for his very strong formalist views, according to which art has nothing to do with ethics and politics. At least that is the textbook description of his general stance. ‘Art and war’ is a relatively unknown piece by him that has been ignored within art history partly because the relation between art on the one hand and ethics and politics on the other is much more complex here.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  49. added 2014-04-02
    Iris Murdoch on Art, Ethics, and Attention.Anil Gomes - 2013 - British Journal of Aesthetics 53 (3):321-337.
    Can the experience of great art play a role in our coming to understand the ethical framework of another person? In this article I draw out three themes from Iris Murdoch’s ‘The Sovereignty of Good’ in order to show the role that communal attention to works of art can play in our ethical lives. I situate this role in the context of Murdoch’s wider philosophical views.
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  50. added 2014-03-15
    The Ethics of Non-Realist Fiction: Morality’s Catch-22.James Harold - 2007 - Philosophia 35 (2):145-159.
    The topic of this essay is how non-realistic novels challenge our philosophical understanding of the moral significance of literature. I consider just one case: Joseph Heller’s Catch-22. I argue that standard philosophical views, based as they are on realistic models of literature, fail to capture the moral significance of this work. I show that Catch-22 succeeds morally because of the ways it resists using standard realistic techniques, and suggest that philosophical discussion of ethics and literature must be pluralistic if it (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   2 citations  
1 — 50 / 62