Abstract

One of the most interesting aspects of Leibniz's philosophy is the distinction between "art" and "nature"; the core of this matter is the possibility (or even the impossibility) of distinguishing as clearly as possible between two ontological domains: on one hand the products of technique (such as "artificial machines"), on the other hand all the beings that can be defined as natural ("natural machines"). The question raised in this paper is if it is possibile to build ontological criteria which can be clear enough to distinguish between the products of nature and those of technique in the field of the "res" that they are.