This paper analyzes the specific shift in the meaning of “civilization” that took place in texts and documents of early American philosophical naturalism. Particularly, it will focus on the specific role that naturalization plays in the edification of a newly secularized, science-oriented, and democratic society, as well as of a naturalized conception of culture and civilization. Indeed, as the work of many philosophers and intellectuals of the Forties highlights, naturalism represents not only the banner of a new idea of civilization, (...) but at the same time becomes the symbol of a powerful postwar ideology. (shrink)

This paper compares Kant’s and Leibniz’s views on the relation between knowing subjects and known objects. Kant discusses Leibniz’s philosophy in the ‘Amphiboly’ section of the first Critique. According to Kant, Leibniz’s main error is mistaking objects in space and time for mind-independent things in themselves, that is, for monads. The paper argues that, pace Kant, Leibniz regards objects in space and time as mind-dependent. A deeper divergence between the two philosophers concerns knowing subjects. For Leibniz, they are substances. For (...) Kant, we cannot know whether they are substances. Kant conceives of knowing subjects as complex systems of cognitive capacities. (shrink)

The “Morbid Fear of the Subjective” (copyright by Roy Wood Sellars) represents a key-element of the American naturalist debate of the Mid-twentieth century. On the one hand, we are witnessing to the unconditional trust in the objectivity of scientific discourse, while on the other (and as a consequence) there is the attempt to exorcise the myth of the “subjective” and of its metaphysical privateness. This theoretical roadmap quickly assumed the shape of an even sociological contrast between the “democraticity” of natural (...) sciences and the fanaticism implicit in supernatural metaphysical systems. In between these two extremes stood phenomenology, in its early days on American soil. Its notion of “evidence”, which is less easily to naturalize than it might seem, was in fact hardly consistent with the widespread concept of “natural experience” of the world. (shrink)

One of the most interesting aspects of Leibniz's philosophy is the distinction between "art" and "nature"; the core of this matter is the possibility (or even the impossibility) of distinguishing as clearly as possible between two ontological domains: on one hand the products of technique (such as "artificial machines"), on the other hand all the beings that can be defined as natural ("natural machines"). The question raised in this paper is if it is possibile to build ontological criteria which can (...) be clear enough to distinguish between the products of nature and those of technique in the field of the "res" that they are. (shrink)

One of the symbolic images to which Leibniz constantly entrusted the synthesis of his philosophy regards the idea of considering one and the same city from various visual perspectives. Such an image is diffused throughout all Leibniz’s writings and clearly reflects the philosopher’s interest for matters regarding perspective as well as optical phenomena. The point of view of its inhabitants can therefore be compared to a mirror that reflects some different portions of reality. But what do the city-viewers really see? (...) Do they all see exactly the same thing? And assuming the plurality of points of view, how one can be sure that they share the same representative content? The paper presented here tries to offer a plausible interpretation of this topic also by linking different and somehow remote Leibnizian doctrines together. (shrink)