Wackenroder and the Doctrine of the Soul

Nineteenth-Century Music Review 5 (1):67-88 (2008)
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Abstract

Advances a novel theory of how paradoxes evident in Wilhelm Heinrich Wackenroder's essay on instrumental music evoke specific religious dichotomies and that these in turn propose an aesthetic interpretation of autonomous instrumental music concordant with the importance attached to religion in early German Romantic thought.

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