Abstract

This essay details the reception of Bruno's works in Goethe's unpublished texts, with a special emphasis on the Frankfurt Poems. Puccini analyzes Goethe's interpretation in the light of his studies in the field of natural sciences. In particular, she aims to show how Goethe's research interacts with Bruno's meditations on the unity and infinity of the universe/nature. After a first period (1770-1802) in which Goethe's interest in the Nolan philosopher is dominated by a Neoplatonic reading of Bruno's cosmology, between 1812 and 1829 the scientist-poet's criticism of nineteenth-century scientifìc culture recalls Bruno's attacks against the conformity of the "insani", those intellectuals who passively follow the dominant paradigms. Their interpretation of natural phenomena is irredeemably corrupted by the passive acceptance of wrong hypotheses.