Abstract

Integration as an objective and aspiration, the tendency toward synthesis and eclecticism emerges as a fundamental trait in the works and life of Isidore of Seville, both on a theoretical and practical level. This distinctive peculiarity also constitutes an element of interest in the research (and historical debate) regarding the originality of the Sevillian philosopher’s work. This article delves into this issue, its meaning, and implications through both the texts of the Sevillian metropolitan and the considerations of authorities in Isidorian studies.