Ensayo de acercamiento general al núcleo metafísico fundamental del pensamiento de Max Stirner, principalmente expuesto en 'El Único y su propiedad' y en el opúsculo de contrargumento a las respuestas crí-ticas a su obra titulado Recensores de Stirner.

Este texto pretende dar respuestas a la pregunta acerca de (y justificar) la importancia de la filosofía de Max Stirner, principalmente expuesta en El Único y su propiedad, en el curso de la historia de la filosofía, y, por ende, la conveniencia de su conocimiento, esto es, su investigación y estudio.

En este texto tiene el objetivo de recopilar y presentar los posicionamientos y argumentos históricos más relevantes en torno al acerca de la originalidad de Isidoro de Sevilla y su obra, y, además, con ello, el de mantener vigente un tema, de gran relevancia histórica y filosófica, del que aún queda mucho que indagar y decir.

Comprender la Historia de la Filosofía Contemporánea supone entender en muchos y muy significativos aspectos el mundo actual y sus vicisitudes históricas, éticas y políticas, epistemológicas, antropológicas, estéticas, metafísicas, etc. De ahí la enorme importancia que supone el estudio de una materia como esta para el alumnado del Doble Grado en Derecho y Filosofía en tanto que pilar que permite situar la filosofía presente y navegar desde ella por el flujo de los, anchamente entendidos, tiempos actuales, en todas sus ramas (...) fundamentales. (shrink)

Integration as an objective and aspiration, the tendency toward synthesis and eclecticism emerges as a fundamental trait in the works and life of Isidore of Seville, both on a theoretical and practical level. This distinctive peculiarity also constitutes an element of interest in the research (and historical debate) regarding the originality of the Sevillian philosopher’s work. This article delves into this issue, its meaning, and implications through both the texts of the Sevillian metropolitan and the considerations of authorities in Isidorian (...) studies. -/- . (shrink)

In the twenty-fifth chapter of the second book of Etymologies, epitome of the Isagoge of Profirius, the sevillian philosopher Isidore of Seville, taking the example of the tyrian thinker, takes up the anthropo-philosophical theory of 'homo risv capax', that is, the human being defined as the only living being, mortal or immortal, irrational or rational, capable of laughing. Or, in others word, laughter understood as what is (most) proper -in the sense of exclusive- to the human being. A theory that (...) has a long trajectory in the history of ancient Western philosophy up to the approach of the philosopher from Seville (and also after him). This article presents the Isidorean proposal by showing the background, both general and specific, to the question of laughter as a singular and distinctive human property, as well as a delimitation of the sense exposed in the thought and work of Isidore of Seville, together with the existing differences between those of the Sevillian thinker and his philosophical precedents, that is, his specific contributions. (shrink)

In the twenty-fifth chapter of the second book of Etymologies, epitome of the Isagoge of Profirius, the sevillian philosopher Isidore of Seville, taking the example of the tyrian thinker, takes up the anthropo-philosophical theory of homo risv capax, that is, the human being defined as the only living being, mortal or immortal, irrational or rational, capable of laughing. Or, in others words, laughter understood as what is (most) proper -in the sense of exclusive- to the human being. A theory that (...) has a long trajectory in the history of ancient Western philosophy up to the approach of the philosopher from Seville (and also after him). This article presents the Isidorean proposal by showing the background, both general and specific, to the question of laughter as a singular and distinctive human property, as well as a delimitation of the sense exposed in the thought and work of Isidore of Seville, together with the existing differences between those of the Sevillian thinker and his philosophical precedents, that is, his specific contributions. (shrink)

In studying in depth Nietzsche’s description of Greek tragedy and Dionysian art, as well as flamenco art –both phenomenologically and hermeneutically–, enormous similarities appear. Especially between the characteristics of the fundamental aesthetic category of flamenco, lo jondo –the deep–, and the features of Dionysian art. What shows that, just as those of the beautiful and the sublime are the aesthetic categories of the Apollonian, the aesthetic category of Dionysian art is the deep.

The relationship between flamenco and politics is one of the great flamenco debates in history; a controversy that, for decades, not only researchers have participated in, but all the tiers of the jondo world. Numerous have been the opinions expressed and the answers given to those that could be considered as three of the archetypal questions of this polemic: if flamenco can be understood as a manifestation (of thematic) politics, if it is (or expresses) rebellious and protest in it, or (...) the question about the ideological question in which the lyrics of cante would be framed. The present article tries to shed light on one of the subjects that more interest have raised, with respect to the studies on the flamenco, as it is the politician. (shrink)