Abstract

The relationship between flamenco and politics is one of the great flamenco debates in history; a controversy that, for decades, not only researchers have participated in, but all the tiers of the jondo world. Numerous have been the opinions expressed and the answers given to those that could be considered as three of the archetypal questions of this polemic: if flamenco can be understood as a manifestation (of thematic) politics, if it is (or expresses) rebellious and protest in it, or the question about the ideological question in which the lyrics of cante would be framed. The present article tries to shed light on one of the subjects that more interest have raised, with respect to the studies on the flamenco, as it is the politician.