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  1. On Painting.Leon Battista Alberti, John R. Spencer, Creighton Gilbert, E. W. Dickes & Brian Battershaw - 1956 - Journal of Aesthetics and Art Criticism 26 (1):148-148.
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  • A stroll through the worlds of animals and men: A picture book of invisible worlds.Jakob von Uexküll - 1992 - Semiotica 89 (4):319-391.
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  • Impossible objects: A special type of visual illusion.Lionel S. Penrose & Roger Penrose - 1958 - British Journal of Psychology 49 (1):31-33.
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  • The epistemological status of vision and its implications for design.Dhanraj Vishwanath - 2005 - Axiomathes 15 (3):399-486.
    Computational theories of vision typically rely on the analysis of two aspects of human visual function: (1) object and shape recognition (2) co-calibration of sensory measurements. Both these approaches are usually based on an inverse-optics model, where visual perception is viewed as a process of inference from a 2D retinal projection to a 3D percept within a Euclidean space schema. This paradigm has had great success in certain areas of vision science, but has been relatively less successful in understanding perceptual (...)
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  • Beitrage zur Analyse der Gesichtswahrnehmungen.F. Schumann - 1901 - Philosophical Review 10:81.
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  • Cross-modal associations between materic painting and classical Spanish music.Liliana Albertazzi, Luisa Canal & Rocco Micciolo - 2015 - Frontiers in Psychology 6.
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  • On PaintingThe Sociology of Literary TasteThe Mathematical Basis of the ArtsThe Schillinger System of Musical Composition.Leon Battista Alberti, John R. Spencer, Creighton Gilbert, Levin Schucking, E. W. Dickes, Brian Battershaw, Thomas Munro & Joseph Schillinger - 1967 - Journal of Aesthetics and Art Criticism 26 (1):148.
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  • Toward a new theory of stereopsis.Dhanraj Vishwanath - 2014 - Psychological Review 121 (2):151-178.
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  • Susceptibility of rhesus monkeys to the Ponzo illusion.Kathryn A. L. Bayne & Roger T. Davis - 1983 - Bulletin of the Psychonomic Society 21 (6):476-478.
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