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  1. Les représentations de danse armée dans la céramique attique.Jean-Claude Poursat - 1968 - Bulletin de Correspondance Hellénique 92 (2):550-615.
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  • Love and Marriage in Greek New Comedy.P. G. McC Brown - 1993 - Classical Quarterly 43 (01):189-.
    Writing of Terence's Andria in 1952, Duckworth said: ‘In the Andria the second love affair is unusual; Charinus’ love for a respectable girl whose virtue is still intact has been considered an anticipation of a more modern attitude towards love and sex. More frequently in Plautus and Terence the heroine, if of respectable parentage, has been violated before the opening of the drama , or she is a foreigner, a courtesan, or a slave girl' , p. 158). Perhaps in 1993 (...)
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  • Iphigeneia and the Bears of Brauron.T. C. W. Stinton - 1976 - Classical Quarterly 26 (01):11-.
    In her masterly article on this passge, Dr. Christiane Sourvinou-Inwood goes most of the way towards solving two serious problems: the text of Lys. 645, where the vulgate makes the ‘bears’ more than ten years old, contrary to all other evidence; and the meaning of of A. Ag. 239 . She argues cogently that in Aeschylus means ‘shedding’ the saffron robe, as most editors including Fraenkel have thought, and not ‘letting her robes fall to the ground’ as Lloyd-Jones, followed by (...)
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  • A series of erotic pursuits: images and meanings (plates IIb-c, III).Christiane Sourvinou-Inwood - 1987 - Journal of Hellenic Studies 107:131-153.
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  • The tragic wedding.Richard Seaford - 1987 - Journal of Hellenic Studies 107:106-130.
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  • Love and Marriage in Greek New Comedy.P. G. McC Brown - 1993 - Classical Quarterly 43 (1):189-205.
    Writing of Terence'sAndria(‘The Girl from Andros’) in 1952, Duckworth said: ‘In theAndriathe second love affair is unusual; Charinus’ love for a respectable girl whose virtue is still intact has been considered an anticipation of a more modern attitude towards love and sex. More frequently in Plautus and Terence the heroine, if of respectable parentage, has been violated before the opening of the drama (Aulularia, Adelphoe), or she is a foreigner, a courtesan, or a slave girl' (Duckworth (1952), p. 158). Perhaps (...)
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  • Love and Marriage in Greek New Comedy.P. G. McC - 1993 - Classical Quarterly 43 (1):189-205.
    Writing of Terence'sAndria(‘The Girl from Andros’) in 1952, Duckworth said: ‘In theAndriathe second love affair is unusual; Charinus’ love for a respectable girl whose virtue is still intact has been considered an anticipation of a more modern attitude towards love and sex. More frequently in Plautus and Terence the heroine, if of respectable parentage, has been violated before the opening of the drama (Aulularia, Adelphoe), or she is a foreigner, a courtesan, or a slave girl' (Duckworth (1952), p. 158). Perhaps (...)
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  • Athens and the Hellenistic kings (338–261 b.c.): the language of the decrees1.Ioanna Kralli - 2000 - Classical Quarterly 50 (01):113-.
    It has been a widespread belief among historians of antiquity that Athens’ importance on the political scene declined rapidly after 338, and especially after 322; Athens, so it is assumed, succumbed to the will of Alexander and, later on, of his Diadochoi. Of course, it cannot be denied that Athens found itself in a very precarious and sometimes impossible position. Yet the attitudes of Athens towards one king or the other, as well as its status, vary considerably until 261, the (...)
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  • Athens and the Hellenistic kings (338–261 b.c. ): the language of the decrees.Ioanna Kralli - 2000 - Classical Quarterly 50 (1):113-132.
    It has been a widespread belief among historians of antiquity that Athens’ importance on the political scene declined rapidly after 338, and especially after 322; Athens, so it is assumed, succumbed to the will of Alexander and, later on, of his Diadochoi. Of course, it cannot be denied that Athens found itself in a very precarious and sometimes impossible position. Yet the attitudes of Athens towards one king or the other, as well as its status, vary considerably until 261, the (...)
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  • Male Poets and Maiden Voices:: Gender and Genre in Pindar and Alcman.Anne Klinck - 2001 - Hermes 129 (2):276-279.
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