In this study, David Bordwell offers the first comprehensive account of how movies use fundamental principles of narrative representation, unique features of ...

In this important and impressive book, Gregory Currie tackles several fundamental topics in the philosophy of film and says much of general interest about the nature of imagination. The first part examines the nature of film representation, rejecting the view that spectators are subject to any kind of cognitive or perceptual illusions. Currie also argues against Walton’s transparency claim, which holds that when we look at a photograph we are literally seeing the object photographed. He instead defends perceptual realism, the (...) thesis that photographs resemble the objects they depict, where the resemblance is a matter of photographs triggering the same recognitional response as would the object photographed. He also argues convincingly that films should not be thought of as a language-like form of communication. (shrink)

"It is essential reading for anyone concerned with the theoretical discussion of cinema, and ideology in general." -- Semiotica..". Heath is an antidote to the Cinema 101 worldview." -- Voice Literary Supplement Heath's study of film draws on Lacanian psychoanalysis, semiotics, and Marxism, presenting film as a signifying practice and the cinema as a social institution of meanings.

In 1943 the first edition of the main work of the great Danish linguist Louis Hjelmslev (1899-1965) appeared, and bore the title "Omkring Sprogteoriens Grundlæggelse". The work was translated into English as "Prolegomena to a Theory of Language" This work came to represent a breakthrough in linguistics and formed an entirely new branch of this field. The author begins by ascertaining that language is an inexhaustible wealth of manifold values; language is the tool with which man moulds thought and feeling, (...) mood, aspiring, will and action, the tool with which he influences and is influenced, the last and deepest condition of human society. Although his analysis of the forms of language employs mathematical models, Hjelmslev was also determined not to neglect the human subject who uses language, which led him to an interest in psychology and Psychoanalysis. (shrink)