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  1. The effect of harmonic context on phoneme monitoring in vocal music.E. Bigand, B. Tillmann, B. Poulin, D. A. D'Adamo & F. Madurell - 2001 - Cognition 81 (1):B11-B20.
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  • Categorization and representation of physics problems by experts and novices.Michelene T. H. Chi, Paul J. Feltovich & Robert Glaser - 1981 - Cognitive Science 5 (2):121-52.
    The representation of physics problems in relation to the organization of physics knowledge is investigated in experts and novices. Four experiments examine the existence of problem categories as a basis for representation; differences in the categories used by experts and novices; differences in the knowledge associated with the categories; and features in the problems that contribute to problem categorization and representation. Results from sorting tasks and protocols reveal that experts and novices begin their problem representations with specifiably different problem categories, (...)
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  • Mind and body in music.David Lidov & Lidov - 1987 - Semiotica 66 (1-3):69-97.
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  • Statistical learning of tone sequences by human infants and adults.Jenny R. Saffran, Elizabeth K. Johnson, Richard N. Aslin & Elissa L. Newport - 1999 - Cognition 70 (1):27-52.
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  • Expectancy in melody: tests of the implication-realization model.E. Schellenberg - 1996 - Cognition 58 (1):75-125.
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  • Musical structure modulates semantic priming in vocal music.Bénédicte Poulin-Charronnat, Emmanuel Bigand, François Madurell & Ronald Peereman - 2005 - Cognition 94 (3):B67-B78.
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  • Music and emotion: perceptual determinants, immediacy, and isolation after brain damage.I. Peretz - 1998 - Cognition 68 (2):111-141.
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  • Can musical transformations be implicitly learned?Zoltan Dienes & Christopher Longuet-Higgins - 2004 - Cognitive Science 28 (4):531-558.
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  • What child is this? What interval was that? Familiar tunes and music perception in novice listeners.J. David Smith, Deborah G. Kemler Nelson, Lisa A. Grohskopf & Terry Appleton - 1994 - Cognition 52 (1):23-54.
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  • Multidimensional scaling of emotional responses to music: The effect of musical expertise and of the duration of the excerpts.E. Bigand, S. Vieillard, F. Madurell, J. Marozeau & A. Dacquet - 2005 - Cognition and Emotion 19 (8):1113-1139.
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