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  1. Representing the Heavens: Galileo and Visual Astronomy.Mary G. Winkler & Albert Van Helden - 1992 - Isis 83 (2):195-217.
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  • Viviani's Life of Galileo.Michael Segre - 1989 - Isis 80:206-231.
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  • Galileo as a Critic of the Arts by Erwin Panofsky. [REVIEW]Edward Rosen - 1956 - Isis 47:78-80.
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  • Notes & Correspondence.Erwin Panofsky, P. Brans, Robert Multhaue & Raoul May - 1956 - Isis 47:182-188.
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  • Galileo as a Critic of the Arts: Aesthetic Attitude and Scientific Thought.Erwin Panofsky - 1956 - Isis 47:3-15.
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  • Galileo as a Critic of the Arts.Erwin Panofsky - 1958 - Journal of Aesthetics and Art Criticism 17 (1):124-125.
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  • Kant's Gesammelte Schriften.Immanuel Kant, Akademie der Wissenschaften, Kant-Gesellschaft, D. D. R. Akademie der Wissenschaften der & Deutsche Akademie der Wissenschaften zu Berlin - 1928
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  • Galileo's lunar observations in the context of medieval lunar theory.Roger Ariew - 1984 - Studies in History and Philosophy of Science Part A 15 (3):213-226.
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  • Die Suche nach der symbolischen Form: d. Kreis um d. Kulturwiss. Bibliothek Warburg.Martin Jesinghausen-Lauster - 1985
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  • Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art.Mary D. Garrard - 1989
    Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and work shows that her powerfully original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes.
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  • Galileo, courtier: the practice of science in the culture of absolutism. [REVIEW]Mario Biagioli & R. H. Naylor - 1995 - Annals of Science 52 (3):315-316.
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  • In the Wake of Galileo.Michael Segre & Riccardo de Sanctis - 1994 - History and Philosophy of the Life Sciences 16 (3):493.
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