Giorgio Agamben is a philosopher well known for his brilliance and erudition, as well as for the difficulty and diversity of his seventeen books. The interest which his _Homo Sacer_ sparked in America is likely to continue to grow for a great many years to come. _Giorgio Agamben: A Critical Introduction_ presents the complexity and continuity of Agamben's philosophy—and does so for two separate and distinct audiences. It attempts to provide readers possessing little or no familiarity with Agamben's writings with (...) points of entry for exploring them. For those already well acquainted with Agamben's thought, it offers a critical analysis of the achievements that have marked it. (shrink)

This is Werner S. Pluhar's translation of Immanuel Kant's Critique of Judgment (Kritik der Urtheilskraft) for Hackett Publications (Indianapolis, Indiana). ISBN 9780872200258 (paperback).

In this book, one of Italy's most important and original contemporary philosophers considers the status of art in the modern era. He takes seriously Hegel's claim that art has exhausted its spiritual vocation. He argues, however, that Hegel by no means proclaimed the 'death of art' (as many still imagine) but proclaimed rather the indefinite continuation of art in a 'self-annulling' mode. With astonishing breadth and originality, he probes the meaning, aesthetics, and historical consequences of that self-annulment. He argues that (...) the birth of modern aesthetics is the result of a series of schisms - such as between artist and spectator, genius and taste, and form and matter - that are manifestations of the deeper, self-negating yet self-perpetuating movement of irony. He offers an imaginative reinterpretation of the history of aesthetic theory from Kant to Heidegger. The final chapter offers a dazzling interpretation of Dürer's Melancholia. (shrink)

“There is no world of thought that is not a world of language,” Walter Benjamin remarked, “and one only sees in the world what is preconditioned by ...

This essay reconstructs Agamben’s theory of bare life as an example of an affirmative biopolitics, a politics of life that lies beyond sovereignty. The essay shows that his account of bare life constitutes a reworking of four central motifs found in Marx’s historical materialism: the facticity of alienated existence, the fetishism of commodities, the profanity of bourgeois society, and the nihilism of revolution. Agamben’s renewal of historical materialism explicitly turns on an innovative and controversial synthesis of Benjamin and Heidegger. This (...) essay argues that such a synthesis relies, implicitly, on the negative dialectics developed by Adorno. If correct, this interpretation suggests a way of understanding Agamben’s political thought as a particularly radical and consequent continuation of the project of critical theory. (shrink)