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Ziran: The Philosophy of Spontaneous Self-Causation

Albany: SUNY Press (2022)

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  1. Apertures, Draw, and Syntax: Remodeling Attention.Brian Bruya - 2010 - In Effortless Attention: A New Perspective in the Cognitive Science of Attention and Action. MIT Press. pp. 219.
    Because psychological studies of attention and cognition are most commonly performed within the strict confines of the laboratory or take cognitively impaired patients as subjects, it is difficult to be sure that resultant models of attention adequately account for the phenomenon of effortless attention. The problem is not only that effortless attention is resistant to laboratory study. A further issue is that because the laboratory is the most common way to approach attention, models resulting from such studies are naturally the (...)
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  • The metaphysics of jazz.James O. Young & Carl Matheson - 2000 - Journal of Aesthetics and Art Criticism 58 (2):125-133.
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  • Revision, prevision, and the aura of improvisatory art.David Sterritt - 2000 - Journal of Aesthetics and Art Criticism 58 (2):163-172.
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  • The essential role of improvisation in musical performance.Carol S. Gould & Kenneth Keaton - 2000 - Journal of Aesthetics and Art Criticism 58 (2):143-148.
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  • Knowing as Instancing: Jazz Improvisation and Moral Perfectionism.William Day - 2000 - Journal of Aesthetics and Art Criticism 58 (2):99-111.
    This essay presents an approach to understanding improvised music, finding in the work of certain outstanding jazz musicians an emblem of Ralph Waldo Emerson's notion of self-trust and of Stanley Cavell's notion of moral perfectionism. The essay critiques standard efforts to interpret improvised solos as though they were composed, contrasting that approach to one that treats the procedures of improvisation as derived from our everyday actions. It notes several levels of correspondence between our interest in jazz improvisations and the particular (...)
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  • The aesthetic appreciation of nature.Malcolm Budd - 1996 - British Journal of Aesthetics 36 (3):207-222.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Just as nature offers aesthetic experiences beyond the reach of art, so the aesthetics of nature raises issues not contained within the philosophy of art. -/- Malcolm Budd presents four interlinked essays addressing all the main problems about the aesthetics of nature. These include: (...)
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  • Imagination and the aesthetic appreciation of nature.Emily Brady - 1998 - Journal of Aesthetics and Art Criticism 56 (2):139-147.
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  • On musical improvisation.Philip Alperson - 1984 - Journal of Aesthetics and Art Criticism 43 (1):17-29.
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  • Effortless control: Executive attention and conscious feeling of mental effort are dissociable.Lionel Naccache, Stanislas Dehaene, L. Jonathan Cohen, Marie-Odile Habert, Elodie Guichart-Gomez, Damien Galanaud & Jean-Claude Willer - 2005 - Neuropsychologia 43 (9):1318-1328.
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  • Aesthetic Experience in Forests.Holmes Rolston - 1998 - Journal of Aesthetics and Art Criticism 56 (2):157 - 166.
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  • Can suggestion obviate reading? Supplementing primary Stroop evidence with exploratory negative priming analyses.Amir Raz & Natasha K. J. Campbell - 2011 - Consciousness and Cognition 20 (2):312-320.
    Using the Stroop paradigm, we have previously shown that a specific suggestion can remove or reduce involuntary conflict and alter information processing in highly suggestible individuals . In the present study, we carefully matched less suggestible individuals to HSIs on a number of factors. We hypothesized that suggestion would influence HSIs more than LSIs and reduce the Stroop effect in the former group. As well, we conducted secondary post hoc analyses to examine negative priming – the apparent disruption of the (...)
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  • Improvisation and the creative process: Dewey, Collingwood, and the aesthetics of spontaneity.R. Keith Sawyer - 2000 - Journal of Aesthetics and Art Criticism 58 (2):149-161.
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  • Playing by the rules: A pragmatic characterization of musical performances.Richard Cochrane - 2000 - Journal of Aesthetics and Art Criticism 58 (2):135-142.
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  • Improvisation in dance.Curtis Carter - 2000 - Journal of Aesthetics and Art Criticism 58 (2):181-190.
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