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Perception and ordinary objects

In Javier Cumpa & Bill Brewer (eds.), The Nature of Ordinary Objects. New York: Cambridge University Press (2018)

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  1. Love in the time of cholera.Benj Hellie - 2014 - In Berit Brogaard (ed.), Does Perception Have Content? Oxford University Press. pp. 241–261.
    We begin with a theory of the structure of sensory consciousness; a target phenomenon of 'presentation' can be clearly located within this structure. We then defend the rational-psychological necessity of presentation. We conclude with discussion of these philosophical challenges to the possibility of presentation. One crucial aspect of the discussion is recognition of the <cite>nonobjectivity</cite> of consciousness (a technical appendix explains what I mean by that). The other is a full-faced stare at the limitations of rational psychology: much of the (...)
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  • Experiential Content and Naive Realism: A Reconciliation.Heather Logue - 2014 - In Berit Brogaard (ed.), Does Perception Have Content? Oxford University Press.
    In the first section of this paper, after briefly arguing for the assumption that experiential content is propositional, I’ll distinguish three interpretations of the claim that experience has content (the Mild, Medium, and Spicy Content Views). In the second section, I’ll flesh out Naïve Realism in greater detail, and I’ll reconstruct what I take to be the main argument for its incompatibility with the Content Views. The third section will be devoted to evaluation of existing arguments for the Mild Content (...)
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  • Reference and Consciousness.John Campbell - 2004 - Philosophical Quarterly 54 (214):191-194.
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  • Better Than Mere Knowledge? The Function of Sensory Awareness.Mark Johnston - 2006 - In John Hawthorne & Tamar Gendler (eds.), Perceptual Experience. Oxford University Press. pp. 260--290.
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  • Mind, Value, and Reality.John Mcdowell - 2000 - Philosophical Quarterly 50 (199):242-249.
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  • Material Beings.Peter van Inwagen - 1993 - Philosophy and Phenomenological Research 53 (3):701-708.
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  • Reference and Consciousness.John Campbell - 2006 - Philosophy and Phenomenological Research 72 (2):490-494.
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  • Mental paint.Ned Block - 2003 - In Martin Hahn & B. Ramberg (eds.), Reflections and Replies: Essays on the Philosophy of Tyler Burge. MIT Press. pp. 165--200.
    The greatest chasm in the philosophy of mind--maybe even all of philosophy-- divides two perspectives on consciousness. The two perspectives differ on whether there is anything in the phenomenal character of conscious experience that goes beyond the intentional, the cognitive and the functional. A convenient terminological handle on the dispute is whether there are.
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  • What is the Content of a Hallucinatory Experience?Michael Tye - forthcoming - In Berit Brogaard (ed.), Does Perception have Content? Oxford University Press.
    Keith has just taken a hallucinogenic drug. A few minutes earlier, he was occupied with the beginning of H.H. Price's well-known book on perception. The combined effect of these activities is that Keith is now hallucinating a ripe tomato. This is not a de re hallucination. There is no particular tomato located elsewhere out of Keith's vision such that he is hallucinating that tomato as being before him. Keith is hallucinating a tomato without there being any particular tomato that he (...)
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  • Between instrumentalism and brain-writing.Christopher Peacocke - 1983 - In Sense and Content. Oxford University Press.
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