This paper argues for a new interpretation of the rider to the Spartan rhetra. The rider's obscure terms should not be pressed for specific institutional correlates, for its language draws upon the imagery of the exposure of deformed children. The primitive nature of the thought behind the rider suggests that it may actually be an older document than the main text of the rhetra, and such a hypothesis helps to resolve some difficulties concerning the rhetra itself and early Spartan history.

Athenian democracy is rightly recognized for its extensive network of accountability institutions. This essay focuses instead on popular unaccountability in democratic Athens: ordinary citizens participating but not speaking in the Courts and the Assembly were unaccountable. I explore possible justifications of popular unaccountability, including arguments from democratic sovereignty and epistemic arguments, and stress the importance of a third strand: the identification of jurors and assemblymen with deservedly unaccountable, because comparatively weak and powerless, idiōtai (private citizens), whose political activity failed to (...) reach a level requiring intense scrutiny and control. Nonetheless, such a justification was always tenuous in light of the power jurors and assemblymen collectively wielded in the city. As I show through a reading of Aristophanes’s Wasps, it was always possible to destabilize the juror idiōtēs identity and replace it with a much more troubling image: the identification of the juror with the dangerously unaccountable tyrant. (shrink)