This chapter gives a detailed study of diagram-based reasoning in Euclidean plane geometry (Books I, III), as well as an exploration how to characterise a geometric practice. First, an account is given of diagram attribution: basic geometrical claims are classified as exact (equalities, proportionalities) or co-exact (containments, contiguities); exact claims may only be inferred from prior entries in the demonstration text, but co-exact claims may be asserted based on what is seen in the diagram. Diagram control by constructions is necessary (...) for this to work. Case-branching occurs when a construction renders a diagram un-representative. The roles of diagrams in reductio arguments, and of objection in probing a demonstration, are discussed. (shrink)

Summary By using the example of a single proposition and its diagrams, this paper makes explicit a number of the processes in effect in the textual transmission of works in the exact sciences of the ancient and medieval periods. By examining the diagrams of proposition 13 as they appear in the Greek, Arabic, and Latin traditions of Aristarchus's On the Sizes and Distances of the Sun and Moon, we can see a number of ways in which medieval, and early modern, (...) scholars interpreted their sources in an effort to understand and transmit canonical ancient texts. This study highlights the need for modern scholars to take into consideration all aspects of the medieval transmission in our efforts to understand ancient practices. (shrink)

In this paper, I explore general features of the “architecture” (relations of white space, diagram, and text on the page) of medieval manuscripts and early printed editions of Euclidean geometry. My focus is primarily on diagrams in the Arabic transmission, although I use some examples from both Byzantine Greek and medieval Latin manuscripts as a foil to throw light on distinctive features of the Arabic transmission. My investigations suggest that the “architecture” often takes shape against the backdrop of an educational (...) landscape. The constraints of the economic marketplace and cultural aesthetic ideals also appear to play a role in determining the “architecture” of both manuscripts and early printed editions. (shrink)

Spherical geometry studies the sphere not simply as a solid object in itself, but chiefly as the spatial context of the elements which interact on it in a complex three-dimensional arrangement. This compels to establish graphical conventions appropriate for rendering on the same plane—the plane of the diagram itself—the spatial arrangement of the objects under consideration. We will investigate such “graphical choices” made in the Theodosius’ Spherics from antiquity to the Renaissance. Rather than undertaking a minute analysis of every particular (...) element or single variant, we will try to uncover the more general message each author attempted to convey through his particular graphical choices. From this analysis, it emerges that the different kinds of representation are not the result of merely formal requirements but mirror substantial geometrical requirements expressing different ways of interpreting the sphere and testify to different ways of reasoning about the elements that interact on it. (shrink)