Craib clearly demonstrates the need for the integration of psychoanalytic and sociological theory. His arguments incorporate traditional Freudian theory, object relations approaches, and recent feminist contributions to psychoanalytic thought. The author also analysis the views of Christopher Badcock and Herbert Marcuse, Talcott Parsons and Erik Erikson, Jurgen Habermas and Christopher Lasch, Jacques Lacan, and D.W. Winnicot, along with feminist approaches to Freud, from the perspective of Juliet Mitchell and Nancy Chodorow.

Sociological explanations of racism tend to concentrate on the structures and dynamics of modern life that facilitate discrimination and hierarchies of inequality. In doing so, they often fail to address why racial hatred arises (as opposed to how it arises) as well as to explain why it can be so visceral and explosive in character. Bringing together sociological perspectives with psychoanalytic concepts and tools, this text offers a clear, accessible and thought-provoking synthesis of varieties of theory, with the aim of (...) clarifying the complex character of racism, discrimination and social exclusion in the contemporary world. (shrink)

This first volume contains discussions of the brain, methods for analyzing behavior, thought, consciousness, attention, association, time, and memory.

In this paper I will argue that the inclusion of certain aspects of psychoanalytic theory into sociological analysis can be particularly enlightening in specific areas of social research where traditional theory and practice have failed to explain phenomena satisfactorily. This is arguably the case in the explanation of hatred and exclusion, where powerful affective forces fuel racist discourse and support structures of discimination. This is not presented as an antithesis or critique of contemporary sociological methodologies, rather as an addition, a (...) tool through which another dimension of exploration is added to give a greater understanding of conflict arising in social life. This paper seeks to reveal the affective forces that shape motivation in everyday life, influencing social structure and leading to the maltreatment of people because of their ‘otherness’. (shrink)

The Protestant ethic — a moral code stressing hard work, rigorous self-discipline, and the organization of one's life in the service of God — was made famous by sociologist and political economist Max Weber. In this brilliant study (his best-known and most controversial), he opposes the Marxist concept of dialectical materialism and its view that change takes place through "the struggle of opposites." Instead, he relates the rise of a capitalist economy to the Puritan determination to work out anxiety over (...) salvation or damnation by performing good deeds — an effort that ultimately discouraged belief in predestination and encouraged capitalism. Weber's classic study has long been required reading in college and advanced high school social studies classrooms. (shrink)

One of the pioneers of modern sociology, Max Scheler (1874- 1928) ranks with Max Weber, Edmund Husserl, and Ernst Troeltsch as being among the most brilliant minds of his generation. Yet Scheler is now known chiefly for his philosophy of religion, despite his groundbreaking work in the sociology of knowledge, the sociology of emotions, and phenomenological sociology. This volume comprises some of Scheler's most interesting work--including an analysis of the role of sentiments in social interaction, a sociology of knowledge rooted (...) in global social and cultural comparisons, and a cross-cultural theory of values--and identifies some of his important contributions to the discussion of issues at the forefront of the social sciences today. Editor Harold J. Bershady provides a richly detailed biographical portrait of Scheler, as well as an incisive analysis of how his work extends and integrates problems of theory and method addressed by Durkheim, Weber, and Parsons, among others. Harold J. Bershady, professor of sociology at the University of Pennsylvania, is the author of Ideology and Social Knowledge and the editor of Social Class and Democratic Leadership . Heritage of Sociology series. (shrink)

Are emotions like sneezes, unwilled, mechanical, or are they like judgments; are they entirely social constructions? Harré and Gillett believe that emotions are exclusively judgments. We argue that their view misses something important. Imagine a person quaking in anger. Both we and Harré and Gillett believe that he is angry only if he has made an implicit judgment, such as I have been transgressed against. But it is the quaking, not the judgment, that gives authenticity and force to the expression (...) of anger. The quaking does not clarify what the actor means but rather it clarifies the relation of the actor to the meaning of his display. What makes it a genuine expression of anger and not a joke or performance is that the quaking is beyond the will. Bodily displays are not necessary to make expressions authentic; anything that shows that the expression is beyond the will will do, for instance, obsessive thoughts, intrusions, or an inability to concentrate. For Harré and Gillett emotions both as displays and feelings do not merely embody judgments but are also speech acts. We argue that an expression, a feeling or flitting through the mind, cannot be a speech act since only the overt can fit into the convention, the strictures of a community. Nor is the display merely a speech act. Since for an emotional display to be genuine it must slip from the lips unbidden. Further, a speech act account makes the emotions arbitrary; they imply that the set of possible emotions is open. We think, on the other hand, that only some sorts of judgments can become part of an emotion; judgments that relate to things that are important enough in a particular culture that judgment display and feeling are linked together involuntarily. (shrink)

This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, (...) the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time. (shrink)