In a previous paper linking Simondon to biological and systems-theoretical discourses in autopoiesis and debates about contemporary technogenesis, I have argued that Simondon’s ontology of individuation furnishes a basis to theorize the “agency” of the environment that comes to the fore as we humans enter, as we do increasingly today, into alliances with sophisticated, computational technologies.1 In concert with researchers like Andy Clark and N. Katherine Hayles, I embrace the “technical distribution” of cognition and perception as a way of understanding (...) the complex couplings between humans and machines that are typical in our contemporary world, but that have, in fact, been part of human techno-genesis since .. (shrink)

Wolfgang Ernst, Professor of Media Theories at the Humboldt University in Berlin, has become known through his work on media archaeology. Hence the inclusion of this translation represents an alternative take on cultural techniques. It places the legacy of cultural studies, or Kulturwissenschaften, in an interesting tension with the different epistemological demands that technical media impose. After Vico and Dilthey, argues Ernst, we need to investigate the specific modes of knowledge that technical media propose to cultural techniques. Ernst’s media archaeology (...) and the slightly different approach to cultural techniques found in some other contributions in this issue can be seen as two of the most intriguing ways in which current German media studies has been developing in relation to Friedrich Kittler’s impact. For Ernst, this has resulted in a more technical focus and also in the development of critiques of temporality that go beyond media history. Ernst argues that media temporality is not to be understood only through the cultural history of media technologies, but also how media technologies produce time. Machines have their own specific temporality, Eigenzeit. It is in this context that the article discusses the different approaches to cultural techniques, taking into consideration the specific time-critical and epistemic implications of technical media. (shrink)