- Languages of Art: An Approach to a Theory of Symbols.B. C. O'Neill - 1971 - Philosophical Quarterly 21 (85):361.details
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Platonism in Music.Peter Kivy - 1983 - Grazer Philosophische Studien 19 (1):109-129.details
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A Philosophy of Mass Art.Noël Carroll - 1997 - Clarendon Press.details
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Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1968 - Indianapolis,: Bobbs-Merrill.details
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Art and its objects.Richard Wollheim - 1968 - New York,: Harper & Row.details
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Understanding pictures.Dominic Lopes - 1996 - New York: Oxford University Press.details
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Mimesis as make-believe: on the foundations of the representational arts.Kendall L. Walton - 1990 - Cambridge: Harvard University Press.details
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Ariadne revisited.John Dilworth - 2003 - Contemporary Aesthetics 1.details
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The Double Content of Art.John Dilworth - 2005 - Amherst, NY: Prometheus Books.details
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Consciousness, color, and content.Michael Tye - 2003 - Philosophical Studies 113 (3):233-235.details
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Artworks as historical individuals.Guy Rohrbaugh - 2003 - European Journal of Philosophy 11 (2):177–205.details
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On Denoting.Bertrand Russell - 1905 - Mind 14 (56):479-493.details
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A double content theory of artistic representation.John Dilworth - 2005 - Journal of Aesthetics and Art Criticism 63 (3):249–260.details
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The transfiguration of the commonplace.Arthur C. Danto - 1974 - Journal of Aesthetics and Art Criticism 33 (2):139-148.details
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Toward a metaphysical historicism.Sondra Bacharach - 2005 - Journal of Aesthetics and Art Criticism 63 (2):165–173.details
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The double content of perception.John Dilworth - 2005 - Synthese 146 (3):225-243.details
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The twofold orientational structure of perception.John Dilworth - 2005 - Philosophical Psychology 18 (2):187-203.details
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The perception of representational content.John Dilworth - 2005 - British Journal of Aesthetics 45 (4):388-411.details
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An Ontology of Art, by Gregory Currie. [REVIEW]Jerrold Levinson - 1992 - Philosophy and Phenomenological Research 52 (1):215-222.details
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Painting as an Art.Richard Wollheim - 1987 - Princeton University Press.details
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Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. WALTON - 1990 - Philosophy 66 (258):527-529.details
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Art and Philosophy.Nicholas Wolterstorff - 1981 - Journal of Aesthetics and Art Criticism 39 (4):455-459.details
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Art and Its Objects.Jeffrey Wieand - 1981 - Journal of Aesthetics and Art Criticism 40 (1):91-93.details
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Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. Walton - 1990 - Journal of Aesthetics and Art Criticism 49 (2):161-166.details
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A Philosophy of Mass Art.Michael Kelly - 1998 - Philosophical and Phenomenological Research 61 (2):481-485.details
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Art and its Objects.Richard Wollheim - 1968 - Cambridge, United Kingdom: Cambridge University Press. Edited by Richard Thomas Eldridge.details
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Picture, Image and Experience: A Philosophical Inquiry.Robert Hopkins - 1998 - New York: Cambridge University Press.details
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Aesthetics.Monroe C. Beardsley - 1958 - New York,: Harcourt, Brace.details
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An ontology of art.Gregory Currie - 1989 - New York: St. Martin's Press.details
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A Philosophy of Mass Art.Noël Carroll - 1998 - Tijdschrift Voor Filosofie 62 (1):182-183.details
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Aesthetics: Problems in the Philosophy of Criticism.Monroe C. Beardsley - 1958 - Philosophy 36 (136):80-81.details
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Mimesis as Make-Believe.Kendall Walton - 1996 - Synthese 109 (3):413-434.details
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The Double Content of Art.John Dilworth - 2006 - Journal of Aesthetics and Art Criticism 64 (2):289-291.details
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Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1971 - British Journal for the Philosophy of Science 22 (2):187-198.details
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An Ontology of Art.Andy Hamilton - 1990 - Philosophical Quarterly 40 (161):538-541.details
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Mimesis as Make-Believe: On the Foundations of the Representational Arts.Noel Carroll - 1995 - Philosophical Quarterly 45 (178):93-99.details
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Understanding Pictures.Dominic Lopes - 1999 - Philosophical Quarterly 49 (196):398-400.details
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Languages of Art. An Approach to a Theory of Symbols.Nelson Goodman - 1970 - Critica 4 (11/12):164-171.details
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Review of Monroe C. Beardsley: Aesthetics, Problems in the Philosophy of Criticism. [REVIEW]Manuel Bilsky - 1959 - Ethics 69 (2):142-143.details
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Platonism in Music.Peter Kivy - 1983 - Grazer Philosophische Studien 19 (1):109-129.details
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Review of: Painting as an Art by Richard Wollheim. [REVIEW]Joseph Margolis - 1989 - Journal of Aesthetics and Art Criticism 47 (3):281-284.details
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Meaning and Necessity.Gilbert Ryle - 1949 - Philosophy 24 (88):69 - 76.details
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Representation and make-believe.Alan H. Goldman - 1990 - Inquiry: Critical Thinking Across the Disciplines 36 (3):335 – 350.details
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Art and its objects: with six supplementary essays.Richard Wollheim - 1980 - New York: Cambridge University Press. Edited by Richard Thomas Eldridge.details
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Art and philosophy.Joseph Margolis - 1980 - Atlantic Highlands, N.J.: Humanities Press.details
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The transfiguration of the commonplace: a philosophy of art.Arthur Coleman Danto - 1981 - Cambridge: Harvard University Press.details
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