- Gombrich and the Duck-Rabbit.Robert Eamon Briscoe - 2015 - In Michael Beaney, Brendan Harrington & Dominic Shaw (eds.), Aspect Perception After Wittgenstein: Seeing-as and Novelty. New York: Routledge. pp. 49-88.details
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Paths from the Philosophy of Art to Everyday Aesthetics.Oiva Kuisma, Sanna Lehtinen & Harri Mäcklin (eds.) - 2019 - Helsinki, Finland: Finnish Society for Aesthetics.details
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Scientific representation: Against similarity and isomorphism.Mauricio Suárez - 2003 - International Studies in the Philosophy of Science 17 (3):225-244.details
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Faces in the Clouds: A New Theory of Religion.Stewart Guthrie - 1993 - New York and Oxford: Oup Usa.details
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Defining pictorial style: Lessons from linguistics and computer graphics. [REVIEW]John Willats & Fredo Durand - 2005 - Axiomathes 15 (3):319-351.details
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Why, as responsible for figurativity, seeing-in can only be inflected seeing-in.Alberto Voltolini - 2015 - Phenomenology and the Cognitive Sciences 14 (3):651-667.details
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Seeing in Mirrors.Alberto Voltolini - forthcoming - Journal of Aesthetics and Art Criticism.details
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Different Kinds of Fusion Experiences.Alberto Voltolini - 2020 - Review of Philosophy and Psychology 11 (1):203-222.details
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Towards defending a semantic theory of expression in art: Revisiting Goodman.Servaas van der Berg - 2012 - South African Journal of Philosophy 31 (3):600-612.details
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Seeing‐in and Singling Out: How to Reconcile Pictures with Singular Thought.Enrico Terrone - 2021 - Pacific Philosophical Quarterly 102 (3):378-392.details
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Counterfactual Reasoning in Art Criticism.Angela Sun - 2022 - Journal of Aesthetics and Art Criticism 80 (3):276-285.details
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A Painting, a Crime, a Controversy.Christina Spiesel - 2019 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 34 (2):447-471.details
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Scientific misrepresentation and guides to ontology: the need for representational code and contents.Elay Shech - 2015 - Synthese 192 (11):3463-3485.details
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Neuroimaging and inferential distance.Adina L. Roskies - 2008 - Neuroethics 1 (1):19-30.details
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Objectification and vision: how images shape our early visual processes.Alice Roberts - 2021 - Synthese 32 (1-2).details
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History and Intentions in the Experience of Artworks.Alessandro Pignocchi - 2014 - Topoi 33 (2):477-486.details
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How the intentions of the draftsman shape perception of a drawing.Alessandro Pignocchi - 2010 - Consciousness and Cognition 19 (4):887-898.details
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Framing the Gift: The Politics of the Siphnian Treasury at Delphi.Richard T. Neer - 2001 - Classical Antiquity 20 (2):273-344.details
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What do we see in pictures? The sensory individuals of picture perception.Bence Nanay - 2022 - Philosophical Studies 179 (12):3729-3746.details
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Trompe l’oeil and the Dorsal/Ventral Account of Picture Perception.Bence Nanay - 2015 - Review of Philosophy and Psychology 6 (1):181-197.details
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Perceiving pictures.Bence Nanay - 2011 - Phenomenology and the Cognitive Sciences 10 (4):461-480.details
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Imagining one experience to be another.Bence Nanay - 2021 - Synthese 199 (5-6):13977-13991.details
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Why feynman diagrams represent.Letitia Meynell - 2008 - International Studies in the Philosophy of Science 22 (1):39 – 59.details
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“Seeing-in” and twofold empathic intentionality: a Husserlian account.Zhida Luo - 2017 - Continental Philosophy Review 51 (3):301-321.details
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Depiction and plastic perception. A critique of Husserl’s theory of picture consciousness.Christian Lotz - 2007 - Continental Philosophy Review 40 (2):171-185.details
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Sensory Force, Sublime Impact, and Beautiful Form.Eli I. Lichtenstein - 2019 - British Journal of Aesthetics 59 (4):449-464.details
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Pictorial realism as Verity.John Kulvicki - 2006 - Journal of Aesthetics and Art Criticism 64 (3):343–354.details
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The Artistic Expression of Feeling.Gary Kemp - 2020 - Philosophia 49 (1):315-332.details
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The particularity of photographic experience.René Jagnow - 2023 - Theoria 89 (2):216-231.details
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Twofold Pictorial Experience.René Jagnow - 2019 - Erkenntnis (4):1-22.details
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Twofold Pictorial Experience.René Jagnow - 2019 - Erkenntnis 86 (4):853-874.details
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Review essay.Robert Howell - 1996 - Synthese 109 (3):413-434.details
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Factive Pictorial Experience: What's Special about Photographs?Robert Hopkins - 2010 - Noûs 46 (4):709-731.details
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Exploratory expertise and the dual intentionality of music-making.Simon Høffding & Andrea Schiavio - 2019 - Phenomenology and the Cognitive Sciences 20 (5):811-829.details
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“I Let Go My Force Just Touching Her Hair”: Male Sexuality in Athenian Vase-Paintings of Silens and Iambic Poetry.G. Hedreen - 2006 - Classical Antiquity 25 (2):277-325.details
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Aesthetic order.Victor Yelverton Haines - 1994 - Journal of Value Inquiry 28 (2):193-215.details
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Semantics of Pictorial Space.Gabriel Greenberg - 2021 - Review of Philosophy and Psychology 1 (4):847-887.details
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The unaffordable and the sublime.Shaun Gallagher - 2022 - Continental Philosophy Review 55 (4):431-445.details
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Acting Oneself as Another: An Actor’s Empathy for her Character.Shaun Gallagher & Julia Gallagher - 2020 - Topoi 39 (4):779-790.details
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Sense and Sensibility: Evaluating Pictures by Dominic Lopes. [REVIEW]Jason Gaiger - 2009 - European Journal of Philosophy 17 (3):447-451.details
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Visual attention in pictorial perception.Gabriele Ferretti & Francesco Marchi - 2020 - Synthese 199 (1-2):2077-2101.details
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The Neural Dynamics of Seeing-In.Gabriele Ferretti - 2019 - Erkenntnis 84 (6):1285-1324.details
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Pictures, Emotions, and the Dorsal/Ventral Account of Picture Perception.Gabriele Ferretti - 2017 - Review of Philosophy and Psychology 8 (3):595-616.details
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Beyond the visible : prolegomenon to an aesthetics of designed landscapes.Rudi Etteger - unknowndetails
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Depicting and seeing-in. The ‘Sujet’ in Husserl’s phenomenology of images.Patrick Eldridge - 2018 - Phenomenology and the Cognitive Sciences 17 (3):555-578.details
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Varieties of visual representation.John Dilworth - 2002 - Canadian Journal of Philosophy 32 (2):183-206.details
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In support of content theories of art.John Dilworth - 2007 - Australasian Journal of Philosophy 85 (1):19 – 39.details
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How far can we aspire to consistency when assessing learning?Andrew Davis - 2013 - Ethics and Education 8 (3):217-228.details
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Sculptors, Architects, and Painters Conceive of Depicted Spaces Differently.Claudia Cialone, Thora Tenbrink & Hugo J. Spiers - 2018 - Cognitive Science 42 (2):524-553.details
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Visual Experience: Cognitive Penetrability and Indeterminacy.Alon Chasid - 2014 - Acta Analytica 29 (1):119-130.details
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