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Review Essay: Forget Debord?

Thesis Eleven 89 (1):115-127 (2007)

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  1. Fredric Jameson: Marxism, Hermeneutics, Postmodernism.Sean Homer - 1998 - Polity.
    This book provides the first comprehensive critical analysis of the work of Fredric Jameson, one of the most important cultural critics writing today. Homer provides a clear exposition and appraisal of Jameson's theories and an assessment of his contribution to contemporary cultural theory. Homer reappraises Jameson's writing in the context of European and Anglo-American critical and social theory. Detailed analyses are given of contemporary debates within Marxist cultural theory, post-structuralism and postmodernism, including dialectical theories of literature, the representation of history, (...)
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  • On the Passage of a Few People Through a Rather Brief Moment in Time: The Situationist International, 1957-1972.Elisabeth Sussman, Peter Wollen, Greil Marcus, Mark Francis, Tom Levin, Mirella Bandini & Troels Anderson - 1989 - MIT Press (MA).
    These photographs, essays, drawings, and original texts document the rich agit-art legacy of the Situationist International, a group of European artists and writers who emerged from such avant-garde movements as COBRA, Lettrisme, and the Imaginary Bauhaus and from the breakup of surrealism to launch a strategy of art as cultural critique.
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  • Lipstick Traces: A Secret History of the Twentieth Century.Greil Marcus - 1997 - Faber & Faber.
    "This title is about a single, serpentine fact: late in 1976 a record called "Anarchy in the UK" was issued in London, and this event launched a transformation of pop music all over the world. The song distilled a critique of modern society once set out by a small group of Paris intellectuals." -- Provided by publisher.
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  • The Society of the Spectacle.Guy Debord - 1994 - Zone Books.
    Analyzes the relationship of power, bureaucracy, and change in modern society.
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  • Illusion Only is Sacred.David Roberts - 2003 - Thesis Eleven 73 (1):83-95.
    Integral to the modern paradigm of cultural critique is an entropic vision of the `completion' of modernity reaching from Heidegger and Adorno to Debord and Baudrillard. Are contemporary cultural developments to be grasped in terms of this `completion' or do we need a more open-ended account of capitalism and culture? The article examines two key aspects of contemporary culture, both tied to processes of aestheticization and commodification since the 18th century: the progression from the culture industry (Adorno) to the aesthetic (...)
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  • Guy Debord: Revolutionary.Len Bracken - 1997
    A biography of the man who was the major force behind the Situationist International, wrote 'Society of the Spectacle,' considered the best expression of revolutionary thought of the 20th century, and was a major influence on many political and cultural movements including the Paris riots of 1968 and punk rock.
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  • Post-marxism: A Reader.Stuart Sim - 1998
    This is the first source-book for this cross-disciplinary area. It takes students through a wide range of readings from philosophy, politics, and sociology, to human geography, international relations, and feminist studies. Bringing together statements from leading twentieth-century thinkers such as Derrida, Lyotard, Baudrillard, and Laclau and Mouffe, and with the editor's substantial introduction, this is an ideal teaching text, inspiring debate about the future of Marxism as a cultural theory.
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  • Towards a Genealogy and Typology of Spectacle.David Roberts - 2003 - Thesis Eleven 75 (1):54-68.
    Debord’s influential theory of the spectacle is vitiated by its lack of historical and analytical differentiation. This article draws on Debord’s own undeveloped distinction between the concentrated spectacle and the diffuse spectacle in order to propose a double genealogy and a fourfold typology of the spectacle since the French Revolution.
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  • L'Internationale Situationniste, Socialisme ou Barbarie, and the Crisis of the Marxist Imaginary.Stephen Hastings-King - 1999 - Substance 28 (3):26-54.
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