A searing personal record of spiritual and communal crisis, wherein the death of god announces the beginning of friendship.

This volume juxtaposes philosophical and psychoanalytic speculation with literary and artistic commentary in order to approach a set of questions concerning the human relation to language. The multifold writing of the volume takes the form of a 'triptych' (following the model of works by Francis Bacon) rather than that of a thesis. The central section of the volume contains an extended dialogue on two textual passages from works by Maurice Blanchot and Jacques Lacan. The first part of the volume's triptych (...) focuses on the work of Francis Bacon, taking the motif of crucifixion as a path toward understanding his violent realism. The third part, which juxtaposes a dialogue with a critical essay, concerns the work of Salvatore Puglia. Through Bacon and Puglia, the author seeks another approach to a figural imperative at the limits of language. (shrink)