The article turns to Deleuze and Guattari’s concept of state capitalism and their theorization of money and debt in their critique of capitalism to develop an analysis of the governmental management of the current crisis determined by ordo- and neoliberalism. The paper argues that analyses which fail to properly recognize the power of capital to determine both state apparatuses and economic policy thereby fail to grasp the real functioning of money, debt and the Euro in the crisis and end up (...) unwittingly supporting liberalism. This is true of positions such as heterodox theory that, though critical of conventional and neoliberal political economy, nevertheless continue to uphold the state as an independent or mediating mechanism in relation to the power of capital. The neglect of the role which money plays in the strategies of capital to control both the creation of value and the functioning of the state is to be found even in Foucault’s genealogy of neoliberalism, a neglect which undermines his analysis of power. The paper highlights the implications of the standpoint of state capitalism for a more incisive analysis of the current crisis that reveals what is at stake for political struggles. (shrink)

At the beginning of Western philosophy, Aristotle contrasted made objects, which did not have the source of their own production within themselves, with beings formed by nature. This distinction persisted until Marx, who conceived of the possibility of an evolution of the technical object. This philosophy developed while industrialisation was in the process of overthrowing the contemporary order of social organisation, which highlighted technology's new place in philosophical enquiry. Bernard Stiegler goes back to the beginning of Western philosophy and revises (...) the Aristotelian assessment, developing a complex argument whereby the technical object can be seen as having an essential, distinctive temporality and dynamic of its own. The author engages the ideas of Rousseau, Husserl, and Heidegger, the paleo-ontologist Leroi-Gourhan, the anthropologists Vernant and Detienne, the sociologists Weber and Habermas, and the systems analysts Maturana and Varela. (shrink)

Focusing especially on Science and the Modern World, this article explores Whitehead's understanding of the social contexts and repercussions of mathematical and scientific abstraction. It investigates his remarks on the need to offset pernicious practices of abstraction in the context of a renewed concern with the link between conceptuality and materiality in social theory. Whitehead's inquiry into the problematic legacy of Galileo and scientific materialism is then contrasted with a different diagnosis of the abstractive maladies of modern society, the one (...) put forward under the Marxist rubric of `real abstraction'. While both stances allow us to explore the social repercussions of abstractive practices, it is argued that an understanding of the practically abstract character of capitalism permits us to identify the limits of Whitehead's pedagogical wish to reform our culture of abstraction. (shrink)

The new terrorism is a major exemplifying case for complexity theory – for example, it exemplifies major disproportionalities between cause and effect, unpredictable outcomes, and self-organizing, emergent structures. It also illustrates, I argue in this article, the emergence of global microstructures: of forms of connectivity and coordination that combine global reach with microstructural mechanisms that instantiate self-organizing principles and patterns. Global systems based on microstructural principles do not exhibit institutional complexity but rather the asymmetries, unpredictabilities and playfulness of complex (and (...) dispersed) interaction patterns. The analysis of complex global microstructures helps to collect and assess empirical evidence for the architecture of the global structural forms of a world society. It also suggests a theory of microglobalization – the view that the texture of a global world becomes articulated through microstructural patterns that develop in the shadow of (but liberated from) national and local institutional patterns. (shrink)

This article focuses, through a transdisciplinary perspective, on Peter Greenaway’s films, operas, installations and artworks, exploring the elements that characterize this oeuvre as encyclopaedic. In order to do so, it investigates possible concepts of encyclopaedia, the rhizomatic character of the contemporary encyclopaedic model and its consonance with the demands of plurality and heterogeneity of the globalized world. This article approaches, moreover, the critical-creative appropriation that the director makes of the scientific systems of classification, showing that the use of taxonomies in (...) his work aims at not only revealing the insufficiency and arbitrariness of such systems, but also subverting the ordering logic that defines them. The article also links Greenaway to some of his literary precursors like Jorge Luis Borges and Georges Perec, who also brought together in their encyclopaedic works the rules of classification and the parodic laws of fiction. (shrink)