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  1. Core affect and the psychological construction of emotion.James A. Russell - 2003 - Psychological Review 110 (1):145-172.
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  • Inherently Ambiguous: Facial Expressions of Emotions, in Context.Ran R. Hassin, Hillel Aviezer & Shlomo Bentin - 2013 - Emotion Review 5 (1):60-65.
    With a few yet increasing number of exceptions, the cognitive sciences enthusiastically endorsed the idea that there are basic facial expressions of emotions that are created by specific configurations of facial muscles. We review evidence that suggests an inherent role for context in emotion perception. Context does not merely change emotion perception at the edges; it leads to radical categorical changes. The reviewed findings suggest that configurations of facial muscles are inherently ambiguous, and they call for a different approach towards (...)
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  • Nonverbal Dialects and Accents in Facial Expressions of Emotion.Hillary Anger Elfenbein - 2013 - Emotion Review 5 (1):90-96.
    This article focuses on a theoretical account integrating classic and recent findings on the communication of emotions across cultures: a dialect theory of emotion. Dialect theory uses a linguistic metaphor to argue emotion is a universal language with subtly different dialects. As in verbal language, it is more challenging to understand someone speaking a different dialect—which fits with empirical support for an in-group advantage, whereby individuals are more accurate judging emotional expressions from their own cultural group versus foreign groups. Dialect (...)
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  • Facial Expression in Nonhuman Animals.Bridget M. Waller & Jérôme Micheletta - 2013 - Emotion Review 5 (1):54-59.
    Many nonhuman animals produce facial expressions which sometimes bear clear resemblance to the facial expressions seen in humans. An understanding of this evolutionary continuity between species, and how this relates to social and ecological variables, can help elucidate the meaning, function, and evolution of facial expression. This aim, however, requires researchers to overcome the theoretical and methodological differences in how human and nonhuman facial expressions are approached. Here, we review the literature relating to nonhuman facial expressions and suggest future directions (...)
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  • Human Ethology.Irenäus Eibl-Eibesfeldt - 2007 - Routledge.
    With the discovery of conditioned reflexes by I. P. Pavlov, the possibilities for experimenting, following the example set by the classical, exact sciences, were made available to the behavioral sciences. Many psychologists hoped that the component parts of behavior had also been found from which the entire, multifaceted cosmos of behavior could then be constructed. An experimentally oriented psychology subsequently developed including the influential school of behaviorism. This first text on human ethology presents itself as a unified work, even though (...)
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  • (1 other version)The expression of the emotions in man and animal.Charles Darwin - 1890 - Mineola, New York: Dover Publications. Edited by Francis Darwin.
    One of science's greatest intellects examines how people and animals display fear, anger, and pleasure. Darwin based this 1872 study on his personal observations, which anticipated later findings in neuroscience. Abounding in anecdotes and literary quotations, the book is illustrated with 21 figures and seven photographic plates. Its direct approach, accessible to professionals and amateurs alike, continues to inspire and inform modern research in psychology.
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  • Effects of Dynamic Aspects of Facial Expressions: A Review.Eva G. Krumhuber, Arvid Kappas & Antony S. R. Manstead - 2013 - Emotion Review 5 (1):41-46.
    A key feature of facial behavior is its dynamic quality. However, most previous research has been limited to the use of static images of prototypical expressive patterns. This article explores the role of facial dynamics in the perception of emotions, reviewing relevant empirical evidence demonstrating that dynamic information improves coherence in the identification of affect (particularly for degraded and subtle stimuli), leads to higher emotion judgments (i.e., intensity and arousal), and helps to differentiate between genuine and fake expressions. The findings (...)
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  • Categorical Perception for Emotional Faces.Jennifer M. B. Fugate - 2013 - Emotion Review 5 (1):84-89.
    Categorical perception (CP) refers to how similar things look different depending on whether they are classified as the same category. Many studies demonstrate that adult humans show CP for human emotional faces. It is widely debated whether the effect can be accounted for solely by perceptual differences (structural differences among emotional faces) or whether additional perceiver-based conceptual knowledge is required. In this review, I discuss the phenomenon of CP and key studies showing CP for emotional faces. I then discuss a (...)
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  • Universality Revisited.Nicole L. Nelson & James A. Russell - 2013 - Emotion Review 5 (1):8-15.
    Evidence does not support the claim that observers universally recognize basic emotions from signals on the face. The percentage of observers who matched the face with the predicted emotion (matching score) is not universal, but varies with culture and language. Matching scores are also inflated by the commonly used methods: within-subject design; posed, exaggerated facial expressions (devoid of context); multiple examples of each type of expression; and a response format that funnels a variety of interpretations into one word specified by (...)
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  • The Role of Gaze in the Processing of Emotional Facial Expressions.Silvia Rigato & Teresa Farroni - 2013 - Emotion Review 5 (1):36-40.
    Gaze plays a fundamental role in the processing of facial expressions from birth. Gaze direction is a crucial part of the social signal encoded in and decoded from faces. The ability to discriminate gaze direction, already evident early in life, is essential for the development of more complex socially relevant tasks, such as joint and shared attention. At the same time, facial expressions play a fundamental role in the encoding of gaze direction and, when combined, expression and gaze communicate behavioural (...)
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  • Emotion and Expression: Naturalistic Studies.José-Miguel Fernández-Dols & Carlos Crivelli - 2013 - Emotion Review 5 (1):24-29.
    Do basic emotions produce their predicted facial expressions in nonlaboratory settings? Available studies in naturalistic settings rarely test causation, but do show a surprisingly weak correlation between emotions and their predicted facial expressions. This evidence from field studies is more consistent with facial behavior having many causes, functions, and meanings, as opposed to their being fixed signals of basic emotion.
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  • Distinct Contributions to Facial Emotion Perception of Foveated versus Nonfoveated Facial Features.Anthony P. Atkinson & Hannah E. Smithson - 2013 - Emotion Review 5 (1):30-35.
    Foveated stimuli receive visual processing that is quantitatively and qualitatively different from nonfoveated stimuli. At normal interpersonal distances, people move their eyes around another’s face so that certain features receive foveal processing; on any given fixation, other features therefore project extrafoveally. Yet little is known about the processing of extrafoveally presented facial features, how informative those extrafoveally presented features are for face perception (e.g., for assessing another’s emotion), or what processes extract task-relevant (e.g., emotion-related) cues from facial features that first (...)
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  • What’s in a Word? Language Constructs Emotion Perception.Kristen A. Lindquist & Maria Gendron - 2013 - Emotion Review 5 (1):66-71.
    In this review, we highlight evidence suggesting that concepts represented in language are used to create a perception of emotion from the constant ebb and flow of other people’s facial muscle movements. In this “construction hypothesis,” (cf. Gendron, Lindquist, Barsalou, & Barrett, 2012) (see also Barrett, 2006b; Barrett, Lindquist, & Gendron, 2007; Barrett, Mesquita, & Gendron, 2011), language plays a constitutive role in emotion perception because words ground the otherwise highly variable instances of an emotion category. We demonstrate that language (...)
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  • Understanding the Mechanisms Underlying the Production of Facial Expression of Emotion: A Componential Perspective.Klaus R. Scherer, Marcello Mortillaro & Marc Mehu - 2013 - Emotion Review 5 (1):47-53.
    We highlight the need to focus on the underlying determinants and production mechanisms to fully understand the nature of facial expression of emotion and to settle the theoretical debate about the meaning of motor expression. Although emotion theorists have generally remained rather vague about the details of the process, this has been a central concern of componential appraisal theories. We describe the fundamental assumptions and predictions of this approach regarding the patterning of facial expressions for different emotions. We also review (...)
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  • Neuroscience and Facial Expressions of Emotion: The Role of Amygdala–Prefrontal Interactions.Paul J. Whalen, Hannah Raila, Randi Bennett, Alison Mattek, Annemarie Brown, James Taylor, Michelle van Tieghem, Alexandra Tanner, Matthew Miner & Amy Palmer - 2013 - Emotion Review 5 (1):78-83.
    The aim of this review is to show the fruitfulness of using images of facial expressions as experimental stimuli in order to study how neural systems support biologically relevant learning as it relates to social interactions. Here we consider facial expressions as naturally conditioned stimuli which, when presented in experimental paradigms, evoke activation in amygdala–prefrontal neural circuits that serve to decipher the predictive meaning of the expressions. Facial expressions offer a relatively innocuous strategy with which to investigate these normal variations (...)
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  • Coherence between Emotion and Facial Expression: Evidence from Laboratory Experiments.Rainer Reisenzein, Markus Studtmann & Gernot Horstmann - 2013 - Emotion Review 5 (1):16-23.
    Evidence on the coherence between emotion and facial expression in adults from laboratory experiments is reviewed. High coherence has been found in several studies between amusement and smiling; low to moderate coherence between other positive emotions and smiling. The available evidence for surprise and disgust suggests that these emotions are accompanied by their “traditional” facial expressions, and even components of these expressions, only in a minority of cases. Evidence concerning sadness, anger, and fear is very limited. For sadness, one study (...)
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  • Children’s Interpretation of Facial Expressions: The Long Path from Valence-Based to Specific Discrete Categories.Sherri C. Widen - 2013 - Emotion Review 5 (1):72-77.
    According to a common sense theory, facial expressions signal specific emotions to people of all ages and therefore provide children easy access to the emotions of those around them. The evidence, however, does not support that account. Instead, children’s understanding of facial expressions is poor and changes qualitatively and slowly over the course of development. Initially, children divide facial expressions into two simple categories (feels good, feels bad). These broad categories are then gradually differentiated until an adult system of discrete (...)
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