In this article, I challenge Simon Critchley's recent suggestion that tragic art is not morally educational in Aristotle's analysis and instead argue that it can be inferred from Aristotle that tragic art can morally educate in three main ways: via emotion education, by helping the audience come to understand what matters in life, and by depicting conduct worthy of moral emulation and conduct that is not. Stephen Halliwell's reading of how catharsis helps the audience of tragedy learn to feel pity (...) and fear appropriately is discussed. Two objections Lear makes to Halliwell's account are thereafter outlined and responded to. I maintain that for Aristotle, the pleasure proper to tragedy is prompted by an understanding of what matters most in life—not making mistakes that threaten the prosperity of loved ones. I pull the article together by questioning aspects of Christopher Falzon's reading of Ruben Östlund's film, Force Majeure. I conclude that the film both exemplifies and critiques Aristotle's account of moral learning through tragedy. (shrink)

This is an edited version of an address by Hans-Georg Gadamer, presented at the Dietrich Bonhoeffer Gymnasium, Eppelheim, on 19 May 1999. The text has been edited and translated by John Cleary and Pádraig Hogan.

Journal of Philosophy of Education, EarlyView.

Journal of Philosophy of Education, Volume 56, Issue 1, Page 4-11, February 2022.

Bertolt Brecht is internationally known as one of the most influential dramatists, directors, and theater theorists of the twentieth century and also, within German culture, as one of its most innovative modern poets and prose stylists. Whereas Brecht’s contributions to a Marxist aesthetics of drama, theater, poetry, and prose are widely acknowledged, he is less well known as a major thinker on ethical issues, mostly because of his materialist orientation, which conflicts with ethical traditions rooted in metaphysics. Against these traditions, (...) Brecht envisioned an “ethics for the satisfaction of needs”1 and claimed that “material needs as ethical, ethical ones as material, this is not grasped.”2 This.. (shrink)

Ancient thought, particularly that of Plato and Aristotle, has played an important role in the development of the field of aesthetics, and the ideas of ancient thinkers are still influential and controversial today. "Ancient Aesthetics "introduces and discusses the central contributions of key ancient philosophers to this field, carefully considering their theories regarding the arts, especially poetry, but also music and visual art, as well as the theory of beauty more generally. With a focus on Plato and Aristotle, the philosophers (...) who have given us their thought about the arts at the greatest length, this volume also discusses Hellenistic aesthetics and Plotinus theory of beauty, which was to prove very influential in later thought. "Ancient Aesthetics "is a valuable contribution to its field, and will be of interest to students of philosophy and classics. ". (shrink)