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  1. The Repertoire of Nonverbal Behavior: Categories, Origins, Usage, and Coding.Paul Ekman & Wallace V. Friesen - 1969 - Semiotica 1 (1):49-98.
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  • Improvisation and the self-organization of multiple musical bodies.Ashley E. Walton, Michael J. Richardson, Peter Langland-Hassan & Anthony Chemero - 2015 - Frontiers in Psychology 6:1-9.
    Understanding everyday behavior relies heavily upon understanding our ability to improvise, how we are able to continuously anticipate and adapt in order to coordinate with our environment and others. Here we consider the ability of musicians to improvise, where they must spontaneously coordinate their actions with co-performers in order to produce novel musical expressions. Investigations of this behavior have traditionally focused on describing the organization of cognitive structures. The focus, here, however, is on the ability of the time-evolving patterns of (...)
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  • Nonverbal synchrony and affect in dyadic interactions.Wolfgang Tschacher, Georg M. Rees & Fabian Ramseyer - 2014 - Frontiers in Psychology 5.
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  • Looking To Understand: The Coupling Between Speakers' and Listeners' Eye Movements and Its Relationship to Discourse Comprehension.Daniel C. Richardson & Rick Dale - 2005 - Cognitive Science 29 (6):1045-1060.
    We investigated the coupling between a speaker's and a listener's eye movements. Some participants talked extemporaneously about a television show whose cast members they were viewing on a screen in front of them. Later, other participants listened to these monologues while viewing the same screen. Eye movements were recorded for all speakers and listeners. According to cross-recurrence analysis, a listener's eye movements most closely matched a speaker's eye movements at a delay of 2 sec. Indeed, the more closely a listener's (...)
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