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  1. Doubt and dogmatism: studies in Hellenistic epistemology.Malcolm Schofield, Myles Burnyeat & Jonathan Barnes (eds.) - 1980 - New York: Oxford University Press.
    THE PROTAGONISTS David Sedley The primary object of this historical introduction1 is to enable a reader encountering Hellenistic philosophy for the first ...
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  • Scepticism and irreligion in the seventeenth and eighteenth centuries.Richard Henry Popkin & Arie Johan Vanderjagt (eds.) - 1993 - New York: E.J. Brill.
    This volume deals with scepticism and irreligion in the 17th and 18th century.
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  • Idealism and greek philosophy: What Descartes saw and Berkeley missed.M. F. Burnyeat - 1982 - Philosophical Review 91 (1):3-40.
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  • Aristotle on the function of sense perception.Stephen Gaukroger - 1981 - Studies in History and Philosophy of Science Part A 12 (1):75-89.
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  • Essays in ancient philosophy.Michael Frede (ed.) - 1987 - New York: Oxford University Press.
    Rich with historical and cultural value, these works are published unaltered from the original University of Minnesota Press editions.
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  • Truth and error in Aristotle's theory of sense perception.Irving Block - 1961 - Philosophical Quarterly 11 (42):1-9.
    Why does aristotle say that the common sensibles are susceptible to error while the specific sensibles are not? various solutions of this problem are discussed and finally it is concluded that aristotle's meaning here is teleological. The specific senses were fashioned by nature to perceive the specific sensibles but not the common sensibles and so error sometimes (often) creeps in. The common sense is really not a sense faculty as the eye, The ear etc.
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  • The History of Scepticism from Erasmus to Spinoza. [REVIEW]Ezequiel de Olaso - 1984 - Noûs 18 (1):136-144.
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  • De la sagesse.Pierre Charron - 1968 - Genève: Slatkine Reprints. Edited by Amaury Duval.
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...)
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  • The Birth and Rebirth of Pictorial Space.John White - 1958 - Journal of Aesthetics and Art Criticism 17 (1):130-131.
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