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  1. Quoting Caravaggio: Contemporary Art, Preposterous History.Mieke Bal - 2001 - Journal of Aesthetics and Art Criticism 59 (2):224-226.
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  • Symbols of culpability and the universal language of justice: The ritual of public executions in late medieval Europe.Esther Cohen - 1989 - History of European Ideas 11 (1-6):407-416.
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  • The Law is an Ass: Reading E.P. Evans' The Medieval Prosecution and Capital Punishment of Animals.Piers Beirnes - 1994 - Society and Animals 2 (1):27-46.
    In this essay I address a little-known chapter in the lengthy history of crimes against animals. My focus is not crimes committed by humans against animals, as such, but a practical outcome of the seemingly bizarre belief that animals are capable of committing crimes against humans.2 I refer here to the medieval practice whereby animals were prosecuted and punished for their misdeeds, aspects of which readers are likely to have encountered in the work of the historian Robert Darnton.
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  • Aristotle, athenaion politeia 57.4: Trial of animals and inanimate objects for homicide.Raphael Sealey - 2006 - Classical Quarterly 56 (02):475-.
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  • The Legal Thinghood of Nonhuman Animals.Steven M. Wise - 1995 - Boston College Environmental Affairs Law Review 23:471.
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  • Animal Morality: What It Means and Why It Matters.Susana Monsó, Judith Benz-Schwarzburg & Annika Bremhorst - 2018 - The Journal of Ethics 22 (3-4):283-310.
    It has been argued that some animals are moral subjects, that is, beings who are capable of behaving on the basis of moral motivations. In this paper, we do not challenge this claim. Instead, we presuppose its plausibility in order to explore what ethical consequences follow from it. Using the capabilities approach, we argue that beings who are moral subjects are entitled to enjoy positive opportunities for the flourishing of their moral capabilities, and that the thwarting of these capabilities entails (...)
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  • Nonhuman alterities.Roberto Marchesini - 2016 - Angelaki 21 (1):161-172.
    Nonhuman animals are the most prominent alterity with which humans have engaged in interaction and in comparative self-definition. The reference point of nonhuman alterity is central both to the development of humanism and of posthumanism. In the complex and nonlinear interfaces with nonhumans, humans are extensively hybridized in a process that defines their very humanity. Understanding humans as open and interactive animals rather than as closed and autarchic entities is indispensable to the dismantling of humanism and the development of posthuman (...)
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  • Posthuman antispeciesism.Roberto Marchesini - 2016 - Angelaki 21 (1):217-233.
    Speciesism is a concept that was derived to name forms of discrimination and oppression against nonhuman animals that could be compared to racism and sexism. The concept was formulated in strong terms by Richard Ryder, Peter Singer, and Tom Regan that made it a powerful tool for social and political movements. The discourse on speciesism has been amplified and changed by a set of newer writings in the last few decades that take a more ethological, critical theory, and deconstructive bent. (...)
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  • Death and Dissymmetry: The Politics of Coherence in the Book of Judges.Mieke Bal - 1990 - Hypatia 5 (3):169-171.
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  • Consuming Passions: The Uses of Cannibalism in Late Medieval and Early Modern Europe. [REVIEW]Merrall Price - 2005 - The Medieval Review 5.
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