Abstract.Einstein learned from the magnet and conductor thought experiment how to use field transformation laws to extend the covariance of Maxwell’s electrodynamics. If he persisted in his use of this device, he would have found that the theory cleaves into two Galilean covariant parts, each with different field transformation laws. The tension between the two parts reflects a failure not mentioned by Einstein: that the relativity of motion manifested by observables in the magnet and conductor thought experiment does not extend (...) to all observables in electrodynamics. An examination of Ritz’s work shows that Einstein’s early view could not have coincided with Ritz’s on an emission theory of light, but only with that of a conveniently reconstructed Ritz. One Ritz-like emission theory, attributed by Pauli to Ritz, proves to be a natural extension of the Galilean covariant part of Maxwell’s theory that happens also to accommodate the magnet and conductor thought experiment. Einstein’s famous chasing a light beam thought experiment fails as an objection to an ether-based, electrodynamical theory of light. However it would allow Einstein to formulate his general objections to all emission theories of light in a very sharp form. Einstein found two well known experimental results of 18th and 19th century optics compelling (Fizeau’s experiment, stellar aberration), while the accomplished Michelson-Morley experiment played no memorable role. I suggest they owe their importance to their providing a direct experimental grounding for Lorentz‘ local time, the precursor of Einstein’s relativity of simultaneity, and doing it essentially independently of electrodynamical theory. I attribute Einstein’s success to his determination to implement a principle of relativity in electrodynamics, but I urge that we not invest this stubbornness with any mystical prescience. (shrink)

We call attention to the historical fact that the meaning of symmetry in antiquity—as it appears in Vitruvius’s De architectura—is entirely different from the modern concept. This leads us to the question, what is the evidence for the changes in the meaning of the term symmetry, and what were the different meanings attached to it? We show that the meaning of the term in an aesthetic sense gradually shifted in the context of architecture before the image of the balance was (...) attached to the term in the middle of the 18th century and well before the first modern scientific usage by Legendre in 1794.Keywords: Symmetry; Vitruvius; Claude Perrault; Charles-Louis de Secondat Baron de Montesquieu; Balance in architecture. (shrink)