Contemporary mate preferences can provide important clues to human reproductive history. Little is known about which characteristics people value in potential mates. Five predictions were made about sex differences in human mate preferences based on evolutionary conceptions of parental investment, sexual selection, human reproductive capacity, and sexual asymmetries regarding certainty of paternity versus maternity. The predictions centered on how each sex valued earning capacity, ambition— industriousness, youth, physical attractiveness, and chastity. Predictions were tested in data from 37 samples drawn from (...) 33 countries located on six continents and five islands. For 27 countries, demographic data on actual age at marriage provided a validity check on questionnaire data. Females were found to value cues toresource acquisitionin potential mates more highly than males. Characteristics signalingreproductive capacitywere valued more by males than by females. These sex differences may reflect different evolutionary selection pressures on human males and females; they provide powerful cross-cultural evidence of current sex differences in reproductive strategies. Discussion focuses on proximate mechanisms underlying mate preferences, consequences for human intrasexual competition, and the limitations of this study. (shrink)

A study of twenty-five popular women’s novels and six famous romantic stories has led to the conclusion that such novels and stories are tales of mate selection and mating commitment. Pérusse’s (1994) predictions with respect to mate choice are confirmed by the activities of male and female protagonists in the novels (binomial test,p<.01 in all cases). Males choose mates on the basis of sexual exclusivity and fertility. Females choose mates on the basis of economic factors and parenting potential. As well, (...) male and female characters differ in terms of their display of functional emotions. (shrink)

Sexual competition in the epics is looked at for examples of conflict between older or more powerful males and younger or subordinate males over fertile females, a pattern that would have characterized the human environment of evolutionary adaptation (EEA). In the Iliad and Odyssey, the Old Testament, the Arthurian Cycle (and its Celtic originals), the Volsunga Saga, and El Cid, this pattern is found to be the frame or prime mover or a central feature of the narrative. It is suggested (...) that changes through time in the literary treatment of the theme reflect a progressive dilution of the traditional power of older males over mate choice. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.2 (2001) 278-294 [Access article in PDF] Homer's Human Animal: Ritual Combat in the Iliad Jonathan Gottschall I Freud called Darwin's revelation of man's animality a blow to human narcissism on par with Copernicus's finding that Earth is not the center of the solar system. While Darwin hinted at our bestiality in the Origin of Species, in later publications he conveyed the disturbing and fantastic news (...) that our ancestors were, as he playfully wrote in private notebooks, "monkey men." 1 Adam and Eve were not lovingly molded from the clay; they were the rude grandchildren of a "hairy, tailed quadruped, probably arboreal in its habits, and an inhabitant of the Old World." 2 Darwin's news was greeted by his contemporaries with a range of responses, from hooting derision to holy indignation, to resigned acceptance. Yet his hypothesis has been amply verified by the work of geneticists, primatologists, biologists, archaeologists, paleoanthropologists, and others. Nowadays we are not too chagrined to hear that we share a common ancestor with the other apes; it is orthodox evolutionary theory.But perhaps we give Darwin rather too much credit for this discovery. Surely he deserves esteem for deciphering the mechanism of evolution in natural selection, for helping demonstrate our kinship with other primates, and for providing subsequent scientists a head start for their research. He also deserves the less technical distinctions of giving human self-regard a terrific bloody nose and of helping to sire the modern existential crisis. But while Darwin may be responsible for giving scientific credibility to the notion that humans do not stand aloof from the rest of the animal kingdom, he was far from the first to come to this realization. [End Page 278]The artists of every age and the builders of mythology have come, with wondrous unity of conception, to similar conclusions. In fact, the world's earliest known pictorial art conveys this message. The hundreds of paintings and etchings adorning the walls of the Chauvet Cave in France, though over thirty thousand years old, include depictions of human-animal compounds, including a figure that is half-human and half-bison. 3 This ancient suggestion that the human and animal realms overlap is likewise indicated in the common mythological figure of the human-animal hybrid. As Dorothy Dinnerstein says: "Myth images of half-human beasts like the mermaid and the Minotaur express an old, fundamental, very slowly clarifying communal insight: that our species' nature is internally inconsistent; that our continuities with, and our differences from, the earth's other animals are mysterious and profound." 4 So Darwin did not invent the concept of the human animal. Rather, he marshaled the evidence and developed the theoretical model that established scientific credence for an ancient belief.The Ancient Greeks were particularly fascinated by hybrids blending human and animal morphology. Their mythology abounds with queer, conflicted, compound creatures. And so does their literature. Their first and greatest poet, Homer, was characteristically Greek in his attention to half-human creatures. The sirens, the centaurs, the minotaur, the chimera, Scylla, "Ox-eyed" Hera, and "Owl-eyed" Athena are all present or alluded to in his work. All of these figures symbolically insinuate that beasts dwell under every human skin.But Homer's suggestions of human animality do not cease with these compound creatures. In the Iliad, he presses this theme with depictions of warriors who are, physically, fully human. Homer suggests, however, that their dispositions and behavior patterns are, often, fully brutish. For Homer, the human animal is the most incongruous crossbreed of all: he is queer, conflicted, inconsistent, godlike, and brute. It is the "in-betweenness" of the human animal that makes him tragic. His soul would gravitate toward the empyrean, but his body roots him steadfastly in the blood and filth of animal life. The father Zeus, perhaps recognizing this, says: "In truth there is nothing more wretched on earth than man, of all things that breathe and move." 5The Iliad suggests human animality in a variety of ways. First, we are aligned with... (shrink)

Stories in which a hero defeats a semi-human ogre occur much more frequently in unrelated cultures than chance alone can account for. This claim is supported by a discussion of folk-tales from 20 cultures and an examination of the folk-tales from a random sample of 44 cultures. The tendency to tell these stories must, therefore, have its source in the innate human nature discussed by evolutionary psychologists. This essay argues that these stories reinforce innate positive biases in the perception of (...) self and ingroup and negative biases in the perception of outgroups. (shrink)

The 1000-year-old novel The Tale of Genji, written by Murasaki Shikibu around 1002 CE, shows the operation of general principles of sociobiology. Isolated from western influences and cloaked in Japanese traditions, the common traits associated with reproductive processes are clearly evident. The novel depicts the differential investment of males and females in offspring, male competitive behaviors, and concerns for paternity, kin selection, reciprocal social exchange, species-typical emotional expression, female mate choice, positive assortative mating, and acknowledgment of hereditary transmission of physical (...) and psychological traits. The nature of human behavior in Genji’s time seems little different than now and has all the attributes of species-specific and universal traits. Indeed, it can be argued that the fundamental characteristics of Homo sapiens have never changed, being influenced only in form by culture. The qualitative and quantitative evaluation of ancient texts is a strong methodology for understanding the invariant nature of human behavior. (shrink)

In this Afterword I wanted to reconsider the arguments and conclusions of Freud Evaluated in the light of the post- 1989 literature, but a search of the PsycLit data base quickly showed that goal was unattainable. Between 1990 and 1995 some  ...

Presupposing that all knowledge is the study of a unitary order of nature, the author maintains that the study of literature should be included within the larger field of evolutionary theory. He outlines four elementary concepts in evolutionary theory, and he argues that these concepts should regulate our understanding of literature. On the basis of these concepts, he repudiates the antirealist and irrationalist views that, under the aegis of “poststructuralism,” have dominated academic literary studies for the past two decades. He (...) examines the linkage between poststructuralism and standard social science, and he speculates about the ideological and disciplinary motives that have hitherto impeded evolutionary study in both the social sciences and the humanities. Finally, he distinguishes literature from science and argues that literary criticism integrates elements of both. (shrink)