You don a comfortable jacket lined with sensors and muscle-like motors. Each motion of your arm, hand, and fingers is reproduced at another place by mobile, mechanical hands. Light, dexterous, and strong, these hands have their own sensors through which you see and feel what is happening. Using this instrument, you can "work" in another room, in another city, in another country, or on another planet. Your remote presence possesses the strength of a giant or the delicacy of a surgeon. (...) Heat or pain is translated into informative but tolerable sensation. Your dangerous job becomes safe and pleasant. (shrink)

"Dissanayake argues that art was central to human evolutionary adaptation and that the aesthetic faculty is a basic psychological component of every human being. In her view, art is intimately linked to the origins of religious practices and to ceremonies of birth, death, transition, and transcendence. Drawing on her years in Sri Lanka, Nigeria, and Papua New Guinea, she gives examples of painting, song, dance, and drama as behaviors that enable participants to grasp and reinforce what is important to their (...) cognitive world." --Publishers Weekly "A wide-ranging essay on the place of art in human evolution and in the future, at once learned and spirited."--Howard Gardner, Harvard University "Ellen Dissanayake's book is the most forceful rejoinder I've read so far to the trivializing pessimism of postmodernist art theory."--Kenneth Baker,San Francisco Chronicle "Affirm[s] the idea that art is for life's sake, for the fulfillment of fundamental human needs, and for human survival.... She gives us a coherent rationale for funding broadly based arts programs."--Art Therapy "Homo Aestheticusoffers a wealth of original and critical thinking. It will inform and irritate specialist, student, and lay reader alike."--American Anthropologist "Homo Aestheticus calls for a counterrevolution in our thinking about art. It is timely, provocative, and immensely valuable."--Philosophy and Literature. (shrink)

Although it has been shown that immersive virtual reality can be used to induce illusions of ownership over a virtual body , information on whether this changes implicit interpersonal attitudes is meager. Here we demonstrate that embodiment of light-skinned participants in a dark-skinned VB significantly reduced implicit racial bias against dark-skinned people, in contrast to embodiment in light-skinned, purple-skinned or with no VB. 60 females participated in this between-groups experiment, with a VB substituting their own, with full-body visuomotor synchrony, reflected (...) also in a virtual mirror. A racial Implicit Association Test was administered at least three days prior to the experiment, and immediately after the IVR exposure. The change from pre- to post-experience IAT scores suggests that the dark-skinned embodied condition decreased implicit racial bias more than the other conditions. Thus, embodiment may change negative interpersonal attitudes and thus represent a powerful tool for exploring such fundamental psychological and societal phenomena. (shrink)