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Infected by evil

Philosophical Explorations 8 (2):173 – 187 (2005)

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  1. Appreciation and FeelingReading with Feeling: The Aesthetics of Appreciation.Alex Neill & Susan Feagin - 1996 - Journal of Aesthetics and Art Criticism 57 (1):67.
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  • (1 other version)The Work of the Imagination.Tamar Szabó Gendler - 2002 - Mind 111 (442):414-418.
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  • (1 other version)The Puzzle of Imaginative Resistance.Tamar Szabó Gendler - 2000 - Journal of Philosophy 97 (2):55.
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  • Selected Essays.David Hume - 1993 - Oxford University Press UK.
    In his writings, David Hume set out to bridge the gap between the learned world of the academy and the marketplace of polite society. This collection, drawing largely on his Essays Moral, Political, and Literary, which was even more popular than his famous Treatise of Human Nature, comprehensively shows how far he succeeded. From `Of Essay Writing' to `Of the Rise and Progress of the Arts and Sciences' Hume embraces a staggering range of social, cultural, political, demographic, and historical concerns. (...)
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  • Feminism Unmodified: Discourses on Life and Law.Catharine A. MacKinnon - 1987 - Harvard University Press.
    "Catharine A. MacKinnon, noted feminist and legal scholar, explores and develops her original theories and practical proposals on sexual politics and law. These discourses, originally delivered as speeches, have been brilliantly woven into a book that retains all the spontaneity and accessibility of a live presentation. Through these engaged works on issues such as rape, abortion, athletics, sexual harassment, and pornography, MacKinnon seeks feminism on its own terms, unconstrained by the limits of prior traditions. She argues that viewing gender as (...)
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  • Engaging Characters: Fiction, Emotion, and the Cinema. [REVIEW]Murray Smith - 1999 - Journal of Aesthetics and Art Criticism 57 (1):88-89.
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  • Do readers mentally represent characters' emotional states?Morton Ann Gernsbacher, H. Hill Goldsmith & Rachel R. W. Robertson - 1992 - Cognition and Emotion 6 (2):89-111.
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  • A Philosophy of Mass Art.Noël Carroll - 1997 - Clarendon Press.
    Few today can escape exposure to mass art. Nevertheless, despite the fact that mass art provides the primary source of aesthetic experience for the majority of people, mass art is a topic that has been neglected by analytic philosophers of art. The Philosophy of Mass Art addresses that lacuna. It shows why philosophers have previously resisted and/or misunderstood mass art and it develops new frameworks for understanding mass art in relation to the emotions, morality, and ideology.
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  • The Work of the Imagination.Paul L. Harris - 2000 - Wiley-Blackwell.
    This book demonstrates how children's imagination makes a continuing contribution to their cognitive and emotional development.
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  • Love's knowledge: essays on philosophy and literature.Martha Craven Nussbaum - 1990 - New York: Oxford University Press.
    This volume brings together Nussbaum's published papers on the relationship between literature and philosophy, especially moral philosophy. The papers, many of them previously inaccessible to non-specialist readers, explore such fundamental issues as the relationship between style and content in the exploration of ethical issues; the nature of ethical attention and ethical knowledge and their relationship to written forms and styles; and the role of the emotions in deliberation and self-knowledge. Nussbaum investigates and defends a conception of ethical understanding which involves (...)
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  • (1 other version)Of the Standard of Taste.David Hume - 1985 - Liberty Fund. Edited by E. Miller.
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  • (1 other version)Of the standard of taste.David Hume - 1875 - In Essays, Moral, Political, and Literary. Indianapolis: Liberty Press. pp. 226-249.
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  • The expression of feeling in imagination.Richard Moran - 1994 - Philosophical Review 103 (1):75-106.
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  • The moral psychology of fiction.Gregory Currie - 1995 - Australasian Journal of Philosophy 73 (2):250 – 259.
    What can we learn from fiction? I argue that we can learn about the consequences of a certain course of action by projecting ourselves, in imagination, into the situation of the fiction's characters.
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  • The wheel of virtue: Art, literature, and moral knowledge.Noel Carroll - 2002 - Journal of Aesthetics and Art Criticism 60 (1):3–26.
    In this essay, then, I would like to address what I believe are the most compelling epistemic arguments against the notion that literature (and art more broadly) can function as an instrument of education and a source of knowledge.
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  • Moderate moralism.Noël Carroll - 1996 - British Journal of Aesthetics 36 (3):223-238.
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  • (1 other version)Telling more than we can know: Verbal reports on mental processes.Richard E. Nisbett & Timothy D. Wilson - 1977 - Psychological Review 84 (3):231-59.
    Reviews evidence which suggests that there may be little or no direct introspective access to higher order cognitive processes. Ss are sometimes unaware of the existence of a stimulus that importantly influenced a response, unaware of the existence of the response, and unaware that the stimulus has affected the response. It is proposed that when people attempt to report on their cognitive processes, that is, on the processes mediating the effects of a stimulus on a response, they do not do (...)
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  • (2 other versions)Controlled and automatic human information processing: Perceptual learning, automatic attending, and a general theory.Richard M. Shiffrin & Walter Schneider - 1977 - Psychological Review 84 (2):128-90.
    Tested the 2-process theory of detection, search, and attention presented by the current authors in a series of experiments. The studies demonstrate the qualitative difference between 2 modes of information processing: automatic detection and controlled search; trace the course of the learning of automatic detection, of categories, and of automatic-attention responses; and show the dependence of automatic detection on attending responses and demonstrate how such responses interrupt controlled processing and interfere with the focusing of attention. The learning of categories is (...)
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  • (2 other versions)Reading with Feeling: The Aesthetics of Appreciation.Iris M. Yob & Susan L. Feagin - 1996 - Journal of Aesthetic Education 32 (4):116.
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  • (2 other versions)The Nicomachean Ethics. Aristotle - 1951 - Revue Philosophique de la France Et de l'Etranger 143:477-478.
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  • (1 other version)Telling more than we can know: Verbal reports on mental processes.Richard E. Nisbett & Timothy D. Wilson - 1977 - Psychological Review; Psychological Review 84 (3):231.
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  • Republic.Plato . (ed.) - 2008 - Oxford University Press UK.
    Republic is the central work of the western world's most famous philosopher. Essentially an inquiry into morality, Republic also contains crucial arguments and insights into many other areas of philosophy. It is also a literary masterpiece: the philosophy is presented for the most part for the ordinary reader, who is carried along by the wit and intensity of the dialogue and by Plato's unforgettable images of the human condition. This new, lucid translation by Robin Waterfield is complemented by full explanatory (...)
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  • Realism of Character and the Value of Fiction.Gregory Currie - 1998 - In Jerrold Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection. New York: Cambridge University Press. pp. 161--81.
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  • (2 other versions)Reading with Feeling: The Aesthetics of Appreciation.Susan L. Feagin - 1998 - Philosophical Quarterly 48 (193):557-558.
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  • (1 other version)Sympathy, simulation, and the impartial spectator.Robert M. Gordon - 1995 - Ethics 105 (4):727-742.
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  • A Philosophy of Mass Art.Noël Carroll - 1998 - Tijdschrift Voor Filosofie 62 (1):182-183.
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  • The Representation of Changing Emotions in Reading Comprehension.Manuelde Vega - 1996 - Cognition and Emotion 10 (3):303-322.
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  • (1 other version)Sympathy, simulation, and the impartial spectator.Robert M. Gordon - 1996 - In L. May, Michael Friedman & A. Clark (eds.), Mind and Morals: Essays on Ethics and Cognitive Science. MIT Press. pp. 727-742.
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