Allow me to preface my remarks today by saying that I am not going to give a lecture in the usual sense of communicating results or presenting a systematic statement. Rather, what I have to say will remain on the level of an essay; it is no more than an attempt to take up and further develop the problems of the so-called Frankfurt discussion. I recognize that many uncomplimentary things have been said about this discussion, but I am equally aware (...) that it approaches the problem correctly and that it would be wrong always to begin again at the beginning. (shrink)

Part I: The representation of life -- Can life be given a real definition? -- The representation of the living individual -- The representation of the life-form itself -- Part II: Naive action theory -- Types of practical explanation -- Naive explanation of action -- Action and time -- Part III: Practical generality -- Two tendencies in practical philosophy -- Practices and dispositions as sources of the goodness of individual actions -- Practice and disposition as sources of individual action.

My immediate aim in this lecture is to contribute something to the apt characterization of our representation and knowledge of the specifically human life form, as I will put it - and, to some extent, of things ‘human’ more generally. In particular I want to argue against an exaggerated empiricism about such cognition. Meditation on these themes might be pursued as having a kind of interest of its own, an epistemological and in the end metaphysical interest, but my own purpose (...) in the matter is practical-philosophical. I want to employ my theses to make room for a certain range of doctrines in ethical theory and the theory of practical rationality - doctrines, namely, of natural normativity or natural goodness, as we may call them. I am not proposing to attempt a positive argument for any such ‘neo-Aristotelian’ position, but merely to defend such views against certain familiar lines of objection; and even here my aims will be limited, as will be seen. (shrink)

In this essay I reconstruct what I take to be Adorno's metaphysics of moral solidarity in the moment of its fall. At its heart lies a materialist idea of humanism, and a moral notion of human solidarity. I put this reconstruction to work, answering Michael Theunissen's challenge, namely that Adorno must, but cannot, justify the positive premise of his negativism of what ought not to be, and that he must, but cannot justify his minimal deontological morality. In my view, properly (...) interpreted, Adorno once equipped with this moral notion of human solidarity, can answer Theunissen's challenge, in a way that makes best sense of his (Adorno's) epistemological and metaphysical negativism, and in a way that is consistent with his critique of Kantian morality. (shrink)

I tackle the definition of the relation between first and second nature while examining some problems with McDowell's conception. This, in the first place, will bring out the need to extend the notion of second nature to the social dimension, understanding it not just as `inner' second nature — individual mind — but also as `outer' second nature — objective spirit. In the second place the dialectical connection between these two notions of second nature will point the way to a (...) critical use of the concept itself, which will link up with a theory of reification. Furthermore, I shall endeavor to fit my reflection into the problematic constellation of critical theory: my analysis in fact rests on the question whether, within a critical theory, the philosophy of nature can be recaptured today, in such a way as to give meaning to the very notion of socio-philosophical criticism of reality. (shrink)

In this paper, I do three things. First, I unpack and outline an intriguing but neglected aspect of the thought of the Frankfurt School critical theorist Theodor W. Adorno—namely, his critique of Aristotle, which can be found in two of his lecture series: the unpublished 1956 lectures on moral philosophy and the 1965 lectures published as Metaphysics: Concept and Problems. Second, I demonstrate how Adorno's Aristotle critique constitutes a powerful critique of contemporary neo-Aristotelian ethical naturalism, of the sort advocated by (...) thinkers such as Philippa Foot, Michael Thompson and John McDowell. Third, I expound upon where this critique leaves the prospect of formulating a robust ethical naturalism more generally. (shrink)

‘Natural-History’ is one of the key concepts in the thought of the Frankfurt School critical theorist Theodor W. Adorno, appearing from his very earliest work through to his very last. Unfortunately, the existing literature provides little illumination as to what Adorno’s concept of natural-history is, or what it is supposed to do. This paper thus seeks to supply the required understanding. Ultimately, I argue that ‘natural-history’ is best understood as a sort of ‘therapeutic’ concept, intended to dissolve certain philosophical anxieties (...) which might otherwise present obstacles to our being able to obtain a critical-theoretical understanding of reality. (shrink)

(2011). ‘What Is, Is More than It Is’: Adorno and Heidegger on the Priority of Possibility. International Journal of Philosophical Studies: Vol. 19, No. 1, pp. 31-57. doi: 10.1080/09672559.2011.539357.

Theodor Adorno's concept of 'natural history' [Naturgeschichte] was central for a number of Adorno's theoretical projects, but remains elusive. In this essay, I analyse different dimensions of the concept of natural history, distinguishing amongst (a) a reflection on the normative and methodological bases of philosophical anthropology and critical social science; (b) a conception of critical memory oriented toward the preservation of the memory of historical suffering; and (c) the notion of 'mindfulness of nature in the subject' provocatively asserted in Max (...) Horkheimer and Adorno's Dialectic of Enlightenment. These strands are united by the notion of transience and goal of developing a critical theory sensitive to the transient in history. The essay concludes by suggesting some implications of an expanded concept of natural history for issues in the discourse theory of Jürgen Habermas. (shrink)

In "Two sorts of Naturalism" John McDowell is sketching his own sort of naturalism in ethics as an alternative to "bald naturalism". In this paper I distinguish materialist, idealist and absolute conceptions of nature and of naturalism in order to provide a framework for a clearer understanding of what McDowell’s own naturalism amounts to. I argue that nothing short of an absolute naturalism will do for a number of McDowell's own purposes, but that it is far from obvious that this (...) is his position. If he directly denies that it is, he seems to be left with some rather awkward choices. (shrink)

At the intersection of metaphysics and social theory, this book presents and examines Adorno's unusual concept of possibility and aims to answer how we are to articulate the possibility of a redeemed life without lapsing into a vague and naïve utopianism.

This article develops a critique of the notion of the Anthropocene through the lens of Adorno’s reading of Beethoven’s late style. The popularisation of the term Anthropocene has been accompanied by the emergence of two seemingly opposed discourses: one response could be characterised in terms of a Promethean faith in science, and the other as a turn towards new materialism. While the differences between those two approaches could hardly appear greater, they converge at their margins: both operate on the assumption (...) that the Anthropocene signifies a nature-culture continuum. It is at this point that Adorno’s work, and, in particular, his thinking on aesthetics can make an important intervention. For Adorno, the recognition of the historical truth of the distinction between history and nature is the driving force of critique, the comportment of which Adorno regards as most clearly expressed in artworks, in particular, in music. I read Adorno’s interpretation of Beethoven’s late works as a contrasting response to a situation that is pervaded by the experience of finitude. In lending form to transience, the compositions of the late Beethoven, as seen through Adorno’s eyes, attain exemplary status for a dialectical rethinking of nature and history: While Beethoven’s compositions of the middle period let history retreat beyond the semblance of reconciled nature, his late style, in turn, makes explicit the historical nature of what has been “naturalised” by the semblance of the reconciled whole. It is precisely in its commitment to negativity that Beethoven’s late style becomes instructive to us in a time of crisis. (shrink)