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  1. Sophocles' Antigone and Funeral Oratory.Larry J. Bennett & Wm Blake Tyrrell - 1990 - American Journal of Philology 111 (4).
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  • [Book review] democracy and the foreigner. [REVIEW]Bonnie Honig - 2002 - Ethics and International Affairs 16 (1):129-134.
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  • (1 other version)Another Antigone: The Emergence of the Female Political Actor in Euripides' "Phoenician Women".Arlene W. Saxonhouse - 2005 - Political Theory 33 (4):472-494.
    The Phoenician Women, Euripides' peculiar retelling and refashioning of the Theban myth, offers a portrait of Antigone before she becomes the actor we mostly know today from Sophocles' play. In this under-studied Greek tragedy, Euripides portrays the political and epistemological dissolution that allows for Antigone 's appearance in public. Whereas Sophocles' Antigone appears on stage ready to confront Creon with her appeal to the universal unwritten laws of the gods and later dissolves into the female lamenting a lost womanhood, Euripides' (...)
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  • (1 other version)Another Antigone.Arlene W. Saxonhouse - 2005 - Political Theory 33 (4):472-494.
    The Phoenician Women, Euripides’ peculiar retelling and refashioning of the Theban myth, offers a portrait of Antigone before she becomes the actor we mostly know today from Sophocles’ play. In this under-studied Greek tragedy, Euripides portrays the political and epistemological dissolution that allows for Antigone’s appearance in public. Whereas Sophocles’ Antigone appears on stage ready to confront Creon with her appeal to the universal unwritten laws of the gods and later dissolves into the female lamenting a lost womanhood, Euripides’ Antigone (...)
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