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  1. A Theory of Semiotics.Umberto Eco - 1977 - Philosophy and Rhetoric 10 (3):214-216.
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  • Basics of Semiotics.John DEELY - 1990
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  • A Generative Theory of Tonal Music.Fred Lerdahl & Ray Jackendoff - 1987 - Journal of Aesthetics and Art Criticism 46 (1):94-98.
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  • A theory of musical competence.Gino Stefani - 1987 - Semiotica 66 (1-3):7-22.
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  • A Theory of Semiotics.Robert Scholes - 1977 - Journal of Aesthetics and Art Criticism 35 (4):476-478.
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  • Emotion and meaning in music.Leonard B. Meyer - 1956 - [Chicago]: University of Chicago Press.
    Analyzes the meaning expressed in music, the social and psychological sources of meaning, and the methods of musical communication This is a book meant for ...
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  • Linguistics and Semiotics in Music.Raymond Monelle - 2014 - Routledge.
    This handbook for advanced students explains the various applications to music of methods derived from linguistics and semiotics. The book is aimed at musicians familiar with the ordinary range of aesthetic and theoretical ideas in music; no specialized knowledge of linguistic or semiotic terminology is necessary. In the two introductory chapters, semiotics is related to the tradition of music aesthetics and to well-known works like Deryck Cooke's The Language of Music, and the methods of linguistics are explained in language intelligible (...)
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  • Norm and Action: A Logical Enquiry.R. M. Hare - 1965 - Philosophical Quarterly 15 (59):172-175.
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  • Fondements d'une semiologie de la musique.Jean-Jacques Nattiez - 1976 - Journal of Aesthetics and Art Criticism 35 (2):239-242.
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  • Elements of a Narrative Grammar.A. J. Greimas & Catherine Porter - 1977 - Diacritics 7 (1):23.
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  • Mind and body in music.David Lidov & Lidov - 1987 - Semiotica 66 (1-3):69-97.
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  • Grundriss der musikalischen Semantik.Vladimír Karbusický - 1986 - Darmstadt: Wissenschaftliche Buchgesellschaft Abt. Verlag.
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