. Next, in a chapter on grammar, Liszka explores Peirce's notions of the essential characteristics of signs, their principal components, sign typology, and classification. This is followed by a discussion of critical logic, the proper use of signs in the investigation of the nature of things. Finally, Liszka explains universal rhetoric - the use of signs within discourse communities, the nature of communication, and the character of communities best suited to promote fruitful inquiry.

This handbook for advanced students explains the various applications to music of methods derived from linguistics and semiotics. The book is aimed at musicians familiar with the ordinary range of aesthetic and theoretical ideas in music; no specialized knowledge of linguistic or semiotic terminology is necessary. In the two introductory chapters, semiotics is related to the tradition of music aesthetics and to well-known works like Deryck Cooke's The Language of Music, and the methods of linguistics are explained in language intelligible (...) to musicians. There is no limitation to one school or tradition; linguistic applications not avowedly semiotic, and semiotic theories not connected with linguistics, are all included. The book gives clear and simple descriptions with ample diagrams and music examples of the 'neutral level', 'semiotic analysis', transformation and generation, structural semantics and narrative grammar, intonation theory, the ideas of C.S. Peirce, and applications in ethnomusicology. (shrink)