Switch to: Citations

Add references

You must login to add references.
  1. Art and Inauthenticity.W. E. Kennick - 1985 - Journal of Aesthetics and Art Criticism 44 (1):3-12.
    Download  
     
    Export citation  
     
    Bookmark   6 citations  
  • Exact Replication in the Visual Arts.M. Pabst Battin - 1979 - Journal of Aesthetics and Art Criticism 38 (2):153-158.
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  • Goodman, Forgery, and the Aesthetic.Luise H. Morton & Thomas R. Foster - 1991 - Journal of Aesthetics and Art Criticism 49 (2):155-159.
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  • The Aesthetic Status of Forgeries.Mark Sagoff - 1976 - Journal of Aesthetics and Art Criticism 35 (2):169-180.
    Original paintings and forgeries are not sufficiently the same sort of thing to have many comparable aesthetic qualities. 1) many aesthetic quality predicates have the form of attributives: they are two-place relations between an object and a class of objects and have a semantic account which requires that the object belongs to the class to which it is related; 2) there is no useful semantic class which contains an original and its forgery and 3) therefore these paintings are not to (...)
    Download  
     
    Export citation  
     
    Bookmark   8 citations  
  • Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.
    Download  
     
    Export citation  
     
    Bookmark   214 citations  
  • Fakes.Colin Radford - 1978 - Mind 87 (345):66-76.
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  • From Original To Copy And Back Again.James Elkins - 1993 - British Journal of Aesthetics 33 (2):113-120.
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • Goodman on Forgery.Michael Wreen - 1983 - Philosophical Quarterly 33 (133):340-353.
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  • Goodman on Authenticity.Douglas F. Stalker - 1978 - British Journal of Aesthetics 18 (3):195-198.
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • Aesthetics of the Spurious.Crispin Sartwell - 1988 - British Journal of Aesthetics 28 (4):360-367.
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • Fakes and Forgeries.Hunter Steele - 1977 - British Journal of Aesthetics 17 (3):254-258.
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • Aesthetic Appreciation and the Imperceptible.Joseph Margolis - 1976 - British Journal of Aesthetics 16 (4):305-312.
    Three strategic claims are explored sympathetically: (i) aesthetic appreciation centers on what is directly discriminable but it cannot, Relative to art, Be restricted to what is thus discriminable; (ii) a work of art may be aesthetically appreciated for properties that it cannot actually be shown to have; (iii) forgeries may, "qua" forgeries, Exhibit aesthetically valuable properties, Including directly discriminable properties. These issues are pursued critically in the context of the views of goodman, Rudner, Iseminger, Dickie, Lyas, And danto--And of specimen (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation