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  1. Feminine Endings: Music, Gender, and Sexuality.Susan Mcclary - 1992 - Journal of Aesthetics and Art Criticism 50 (4):338-340.
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  • The Gay Science.Friedrich Wilhelm Nietzsche - 1974 - New York: Vintage Books.
    Nietzsche called The Gay Science "the most personal of all my books." It was here that he first proclaimed the death of God -- to which a large part of the book is devoted -- and his doctrine of the eternal recurrence. Walter Kaufmann's commentary, with its many quotations from previously untranslated letters, brings to life Nietzsche as a human being and illuminates his philosophy. The book contains some of Nietzsche's most sustained discussions of art and morality, knowledge and truth, (...)
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  • Society Must Be Defended: Lectures at the Collège De France, 1975-76.Michel Foucault - 2003 - Picador.
    An examination of the relation between war and politics, by one of the twentieth century’s most influential thinkers From 1971 until 1984 at the College de France, Michel Foucault gave a series of lectures ranging freely and conversationally over the range of his research. In Society Must Be Defended , Foucault deals with the emergence in the early seventeenth century of a new understanding of war as the permanent basis of all institutions of power, a hidden presence within society that (...)
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  • This Sex Which Is Not One.Luce Irigaray - 1985 - Cornell University Press.
    In eleven acute and widely ranging essays, Irigaray reconsiders the question of female sexuality in a variety of contexts that are relevant to current discussion of feminist theory and practice.
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  • The Conjectural Body: Gender, Race, and the Philosophy of Music.Robin James - 2010 - Lexington Books.
    The Conjectural Body combines continental philosophy with musicology, popular music studies, and feminist, critical race, and postcolonial theories to offer a unique perspective on issues of gender, race, and the philosophy of music. It is one of the few books in philosophy to take popular music seriously, and is one of the few books in continental feminism to privilege music over the visual.
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  • Old Mistresses: Women, Art and Ideology.Rozsika Parker & Griselda Pollock - 1981
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  • The Sublime, Terror and Human Difference.Christine Battersby - 2007 - Routledge.
    Christine Battersby is a leading thinker in the field of philosophy, gender studies and visual and literary aesthetics. In this important new work, she undertakes an exploration of the nature of the sublime, one of the most important topics in contemporary debates about modernity, politics and art. Through a compelling examination of terror, transcendence and the ‘other’ in key European philosophers and writers, Battersby articulates a radical ‘female sublime’. A central feature of _The Sublime, Terror and Human Difference_ is its (...)
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  • In but Not of, of but Not In: On Taste, Hipness, and White Embodiment.Robin James - 2009 - Contemporary Aesthetics.
    The status of the body figures paradoxically in the interrelated discourses of whiteness, aesthetic taste, and hipness. While Richard Dyer’s analysis of whiteness argues that white identity is “in but not of the body,” Carolyn Korsmeyer’s and Julia Kristeva’s feminist analyses of aesthetic “taste” demonstrate that this faculty is traditionally conceived as something “of” but not “in” the body. While taste directly distances whiteness from embodiment, hipness negatively affirms this same distance: the hipster proves his elite status within white culture (...)
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  • On Intersectionality and Cultural Appropriation: The Case of Postmillennial Black Hipness.Robin James - 2011 - Journal of Black Masculinity 1 (2).
    Feminist, critical race, and postcolonial theories have established that social identities such as race and gender are mutually constitutive—i.e., that they “intersect.” I argue that “cultural appropriation” is never merely the appropriation of culture, but also of gender, sexuality, class, etc. For example, “white hipness” is the appropriation of stereotypical black masculinity by white males. Looking at recent videos from black male hip-hop artists, I develop an account of “postmillennial black hipness.” The inverse of white hipness, this practice involves the (...)
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  • Terrorist Assemblages.Jasbir Puar - 2009 - Filosoficky Casopis 57:607-611.
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  • White (Pp. 457-468).R. Dyer - 1999 - In Jessica Evans & Stuart Hall (eds.), Visual Culture: The Reader. Sage Publications in Association with the Open University.
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  • From Receptivity to Transformation: On the Intersection of Race, Gender, and the Aesthetic in Contemporary Continental Philosophy.Robin James - 2010 - In Kathryn Gines, Donna-Dale Marcano & Maria Davidson (eds.), Convergences: Black Feminism and Continental Philosophy.
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  • The Sublime, Terror and Human Difference.Christine Battersby & Kimberly Hutchings - 2008 - Radical Philosophy 148:43.
    Christine Battersby is a leading thinker in the field of philosophy, gender studies and visual and literary aesthetics. In this important new work, she undertakes an exploration of the nature of the sublime, one of the most important topics in contemporary debates about modernity, politics and art. Through a compelling examination of terror, transcendence and the ‘other’ in key European philosophers and writers, Battersby articulates a radical ‘female sublime’. A central feature of The Sublime, Terror and Human Difference is its (...)
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  • Spurs : Nietzsche's Styles.Jacques Derrida - 2010 - In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
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