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  1. Approaching awe, a moral, spiritual, and aesthetic emotion.Dacher Keltner & Jonathan Haidt - 2003 - Cognition and Emotion 17 (2):297-314.
    In this paper we present a prototype approach to awe. We suggest that two appraisals are central and are present in all clear cases of awe: perceived vastness, and a need for accommodation, defined as an inability to assimilate an experience into current mental structures. Five additional appraisals account for variation in the hedonic tone of awe experiences: threat, beauty, exceptional ability, virtue, and the supernatural. We derive this perspective from a review of what has been written about awe in (...)
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  • Viewing cute images increases behavioral carefulness.Jonathan Haidt & James A. Coan - unknown
    Infantile physical morphology—marked by its “cuteness”—is thought to be a potent elicitor of caregiving, yet little is known about how cuteness may shape immediate behavior. To examine the function of cuteness and its role in caregiving, the authors tested whether perceiving cuteness can enhance behavioral carefulness, which would facilitate caring for a small, delicate child. In 2 experiments, viewing very cute images (puppies and kittens)—as opposed to slightly cute images (dogs and cats)—led to superior performance on a subsequent fine-motor dexterity (...)
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  • (4 other versions)A Philosophical Enquiry Into the Origin of Our Ideas: Of the Sublime and the Beautiful.Edmund Burke - 1757 - Oxford, United Kingdom: Oxford University Press UK. Edited by Paul Guyer.
    'Pain and pleasure are simple ideas, incapable of definition.'In 1757 the 27-year-old Edmund Burke argued that our aesthetic responses are experienced as pure emotional arousal, unencumbered by intellectual considerations. In so doing he overturned the Platonic tradition in aesthetics that had prevailed from antiquity until the eighteenth century, and replaced metaphysics with psychology and even physiology as the basis for the subject. Burke's theory of beauty encompasses the female form, nature, art, and poetry, and he analyses our delight in sublime (...)
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  • The effects of guilt on the behavior of uncooperative individuals in repeated social bargaining games: An affect-as-information interpretation of the role of emotion in social interaction.T. Katelaar & W. T. Au - 2003 - Cognition and Emotion 17:429-453.
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  • Mood effects on cooperation in small groups: Does positive mood simply lead to more cooperation?Guido Hertel, Jochen Neuhof, Thomas Theuer & Norbert L. Kerr - 2000 - Cognition and Emotion 14 (4):441-472.
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  • The nature of awe: Elicitors, appraisals, and effects on self-concept.Michelle N. Shiota, Dacher Keltner & Amanda Mossman - 2007 - Cognition and Emotion 21 (5):944-963.
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  • The effects of feelings of guilt on the behaviour of uncooperative individuals in repeated social bargaining games: An affect-as-information interpretation of the role of emotion in social interaction.Timothy Ketelaar & Wing Tung Au - 2003 - Cognition and Emotion 17 (3):429-453.
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  • Cuteness and Disgust: The Humanizing and Dehumanizing Effects of Emotion.Gary D. Sherman & Jonathan Haidt - 2011 - Emotion Review 3 (3):245-251.
    Moral emotions are evolved mechanisms that function in part to optimize social relationships. We discuss two moral emotions— disgust and the “cuteness response”—which modulate social-engagement motives in opposite directions, changing the degree to which the eliciting entity is imbued with mental states (i.e., mentalized). Disgust-inducing entities are hypo-mentalized (i.e., dehumanized); cute entities are hyper-mentalized (i.e., “humanized”). This view of cuteness—which challenges the prevailing view that cuteness is a releaser of parental instincts (Lorenz, 1950/1971)—explains (a) the broad range of affiliative behaviors (...)
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  • Positive Emotions Speed Recovery from the Cardiovascular Sequelae of Negative Emotions.Barbara L. Fredrickson & Robert W. Levenson - 1998 - Cognition and Emotion 12 (2):191-220.
    Two studies tested the hypothesis that certain positive emotions speed recovery from the cardiovascular sequelae of negative emotions. In Study 1, 60 subjects (Ss) viewed an initial fear-eliciting film, and were randomly assigned to view a secondary film that elicited: (a) contentment; (b) amusement; (c) neutrality; or (d) sadness. Compared to Ss who viewed the neutral and sad secondary films, those who viewed the positive films exhibited more rapid returns to pre-film levels of cardiovascular activation. In Study 2, 72 Ss (...)
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  • A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful.Marcia E. Allentuck - 1958 - Journal of Aesthetics and Art Criticism 18 (1):135-136.
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