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Color Illusion

Noûs 45 (4):751-775 (2011)

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  1. The Nature of Mind and Other Essays.David Malet Armstrong - 1980 - Ithaca, N.Y.: University of Queensland Press.
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  • (12 other versions)An essay concerning human understanding.John Locke - 1689 - New York: Oxford University Press. Edited by Pauline Phemister.
    The book also includes a chronological table of significant events, select bibliography, succinct explanatory notes, and an index--all of which supply ...
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  • (3 other versions)Principia ethica.George Edward Moore - 1903 - Mineola, N.Y.: Dover Publications. Edited by Thomas Baldwin.
    First published in 1903, this volume revolutionized philosophy and forever altered the direction of ethical studies. A philosopher’s philosopher, G. E. Moore was the idol of the Bloomsbury group, and Lytton Strachey declared that Principia Ethica marked the rebirth of the Age of Reason. This work clarifies some of moral philosophy’s most common confusions and redefines the science’s terminology. Six chapters explore: the subject matter of ethics, naturalistic ethics, hedonism, metaphysical ethics, ethics in relation to conduct, and the ideal. Moore's (...)
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  • (1 other version)The Problem of Knowledge.Alfred Jules Ayer - 1956 - New York,: Harmondsworth.
    In this book, the author of "Language, Truth and Logic" tackles one of the central issues of philosophy - how we can know anything - by setting out all the sceptic's arguments and trying to counter them one by one.
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  • The obscure object of hallucination.Mark Johnston - 2004 - Philosophical Studies 120 (1-3):113-83.
    Like dreaming, hallucination has been a formative trope for modern philosophy. The vivid, often tragic, breakdown in the mind’s apparent capacity to disclose reality has long served to support a paradoxical philosophical picture of sensory experience. This picture, which of late has shaped the paradigmatic empirical understanding the senses, displays sensory acts as already complete without the external world; complete in that the direct objects even of veridical sensory acts do not transcend what we could anyway hallucinate. Hallucination is thus (...)
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  • (2 other versions)Perception and the fall from Eden.David J. Chalmers - 2006 - In Tamar Szabo Gendler & John Hawthorne (eds.), Perceptual experience. New York: Oxford University Press. pp. 49--125.
    In the Garden of Eden, we had unmediated contact with the world. We were directly acquainted with objects in the world and with their properties. Objects were simply presented to us without causal mediation, and properties were revealed to us in their true intrinsic glory.
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  • Sense and Sensibilia.John Langshaw Austin - 1962 - Oxford University Press. Edited by G. Warnock.
    This book is the one to put into the hands of those who have been over-impressed by Austin 's critics....[Warnock's] brilliant editing puts everybody who is concerned with philosophical problems in his debt.
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  • The Structure of Appearance.Nelson Goodman - 1951 - Cambridge, MA, USA: Harvard University Press.
    With this third edition of Nelson Goodman's The Structure of Appear ance, we are pleased to make available once more one of the most in fluential and important works in the philosophy of our times. Professor Geoffrey Hellman's introduction gives a sustained analysis and appreciation of the major themes and the thrust of the book, as well as an account of the ways in which many of Goodman's problems and projects have been picked up and developed by others. Hellman also (...)
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  • Color pluralism.Mark Eli Kalderon - 2007 - Philosophical Review 116 (4):563-601.
    Colors are sensible qualities. They are qualities that objects are perceived to have. Thus, when Norm, a normal perceiver, perceives a blue bead, the bead is perceived have a certain quality, perceived blueness. `Quality', here, is no mere synonym for property; rather, a quality is a kind of property a qualitative, as opposed to quan• titative, property. (The quantitative is a way of contrasting with the qualitative perhaps not the only way.).
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  • Inter-species variation in colour perception.Keith Allen - 2009 - Philosophical Studies 142 (2):197 - 220.
    Inter-species variation in colour perception poses a serious problem for the view that colours are mind-independent properties. Given that colour perception varies so drastically across species, which species perceives colours as they really are? In this paper, I argue that all do. Specifically, I argue that members of different species perceive properties that are determinates of different, mutually compatible, determinables. This is an instance of a general selectionist strategy for dealing with cases of perceptual variation. According to selectionist views, objects (...)
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  • Color objectivism and color pluralism.Vivian Mizrahi - 2006 - Dialectica 60 (3):283-306.
    Most objectivist and dispositionalist theories of color have tried to resolve the challenge raised by color variations by drawing a distinction between real and apparent colors. This paper considers such a strategy to be fundamentally erroneous. The high degree of variability of colors constitutes a crucial feature of colors and color perception; it cannot be avoided without leaving aside the real nature of color. The objectivist theory of color defended in this paper holds that objects have locally many different objective (...)
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  • Color and Color Perception: A Study in Anthropocentric Realism.David R. Hilbert - 1987 - Csli Press.
    Colour has often been supposed to be a subjective property, a property to be analysed orretly in terms of the phenomenological aspects of human expereince. In contrast with subjectivism, an objectivist analysis of color takes color to be a property objects possess in themselves, independently of the character of human perceptual expereince. David Hilbert defends a form of objectivism that identifies color with a physical property of surfaces - their spectral reflectance. This analysis of color is shown to provide a (...)
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  • (2 other versions)How to account for illusion.Bill Brewer - 2008 - In Adrian Haddock & Fiona Macpherson (eds.), Disjunctivism: perception, action, knowledge. New York: Oxford University Press. pp. 168-180.
    The question how to account for illusion has had a prominent role in shaping theories of perception throughout the history of philosophy. Prevailing philosophical wisdom today has it that phenomena of illusion force us to choose between the following two options. First, reject altogether the early modern empiricist idea that the core subjective character of perceptual experience is to be given simply by citing the object presented in that experience. Instead we must characterize perceptual experience entirely in terms of its (...)
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  • The silence of the senses.Charles Travis - 2004 - Mind 113 (449):57-94.
    There is a view abroad on which perceptual experience has representational content in this sense: in it something is represented to the perceiver as so. On the view, a perceptual experience has a face value at which it may be taken, or which may be rejected. This paper argues that that view is mistaken: there is nothing in perceptual experience which makes it so that in it anything is represented as so. In that sense, the senses are silent, or, in (...)
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  • Perception: A Representative Theory.Frank Jackson - 1977 - Cambridge University Press.
    What is the nature of, and what is the relationship between, external objects and our visual perceptual experience of them? In this book, Frank Jackson defends the answers provided by the traditional Representative theory of perception. He argues, among other things that we are never immediately aware of external objects, that they are the causes of our perceptual experiences and that they have only the primary qualities. In the course of the argument, sense data and the distinction between mediate and (...)
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  • (1 other version)Color for Philosophers: Unweaving the Rainbow.Color and Color Perception: A Study in Anthropocentric Realism.Clyde L. Hardin - 1988 - Hackett.
    This expanded edition of C L Hardin's ground-breaking work on colour features a new chapter, 'Further Thoughts: 1993', in which the author revisits the dispute ...
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  • How to speak of the colors.Mark Johnston - 1992 - Philosophical Studies 68 (3):221-263.
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  • Principles of Harmony and Contrast of Colours and Their Applications to the Arts: Including Painting, Interior Decoration, Tapestries, Carpets, Mosaics, Coloured Glazing, Paper-Staining, Calico-Printing, Letterpress-Printing, Map-Colouring, Dress, Landscape and Flower Gardening, Etc.Michel Eugène Chevreul - 1855 - Longman, Brown, Green, and Longmans.
    LIST OF ENGRAVED ILLUSTRATIONS PLACED AX THE END OF VOLUME. *„* The pages indicate where the figures are described. PAGE 1. Contrast of Tone 7 2. ...
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  • Color Vision.Leo Maurice Hurvich - 1981 - Sinauer Associates.
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  • Symposium: Seeming.Karl Britton, H. H. Price & A. Quinton - 1952 - Aristotelian Society Supplementary Volume 26 (1):195 - 252.
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  • Naive Realism and the Problem of Color-Seeing in Dim Light. Arthadeva - 1960 - Philosophy and Phenomenological Research 21:467.
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  • (2 other versions)How to account for illusion.Bill Brewer - 2008 - In Adrian Haddock & Fiona Macpherson (eds.), Disjunctivism: perception, action, knowledge. New York: Oxford University Press.
    The question how to account for illusion has had a prominent role in shaping theories of perception throughout the history of philosophy. Prevailing philosophical wisdom today has it that phenomena of illusion force us to choose between the following two options. First, reject altogether the early modern empiricist idea that the core subjective character of perceptual experience is to be given simply by citing the object presented in that experience. Instead we must characterize perceptual experience entirely in terms of its (...)
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  • The Nature of Perception.John Foster - 2001 - Philosophical Quarterly 51 (205):552-555.
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  • 100 years of Benham's top in colour science.Christoph von Campenhausen & Jürgen Schramme - 1995 - Perception 24.
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  • Über eine Scheibe zur erzeugung subjektiver farben.G. T. Fechner - 1838 - Annalen Der Physik Und Chemie 45:227-232.
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  • The artifical spectrum top. Anon - 1894 - Nature 51:113-114.
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