The “ontological turn” is a recent movement within cultural anthropology. Its proponents want to move beyond a representationalist framework, where cultures are treated as systems of belief that provide different perspectives on a single world. Authors who write in this vein move from talk of many cultures to many “worlds,” thus appearing to affirm a form of relativism. We argue that, unlike earlier forms of relativism, the ontological turn in anthropology is not only immune to the arguments of Donald Davidson’s (...) “The Very Idea of a Conceptual Scheme,” but it affirms and develops the antirepresentationalist position of Davidson’s subsequent essays. (shrink)

Purpose. The aim of the work is to determine the features of media culture that bind it with mass culture and mass communications and have the most significant effect on the general principles of the religious mass communication. In addition, the objective is to identify the skills system and traits of mass human that are necessary for using media culture. Methodology. The methodological basis is related to structuring, analytical analysis and synthesis of media features; highlighting phenomena that illustrate modern communicative (...) situation; characteristics of media trends influence for the specific functioning of religious communication. Scientific novelty. Main part of the work is devoted to the analysis of the progressive media culture, mass-media and their main features, design of religious communication in this culture. Media gradually form the appearance of religious communication quietly, especially the mass one, they adapt the modern religious discourse to rates of transfer and perception of information. Modern believer gets a lot of different kinds of religious information, on any subject, any explanation of the religious question, with respect to any religion. Such volume of religious information and the speed with which a person receives it, does not usually make it religious or spiritually advanced, but only informed. Spiritual perfection and religious development, religious communication is possible only when the customer is aware of media culture and way of seeing the ultimate goal of such communications using the Mass Media. So far these mechanisms are perfectly designed in traditional religious communication. Phenomena, that reflects the dramatic changes in the communicative environment are: mediatization of body and mind, the new practice of processing / reading information, the phenomenon of simultaneous perception of a large number of information channels – similar or different. Features of media culture that connect it with popular culture and are more likely to influence contemporary religious communication are such: visualization, technicality, handling large amounts of information, the creation of a specific picture of the world. Conclusions. Analyzed features of culture media give the possibility to draw conclusions about the necessary features that should have religious believer for successful communication with the help of modern media. These are: interactivity, constant access to information, the appropriate level of education, conformity. (shrink)

Розглянуто проблему духовного яка належить до тих смислових матриць буття, завдяки яким функціонують коди культури, соціальні варіанти життя, феномени наукового пізнання. Окреслено ціннісні смисли духовності як способу самотворення, конституювання особистості у відношенні до життя та мислення. Доведено, що духовність є антиподом універсалізації життя, масовізації, абсолютизації чуттєво-тілесної повсякденності. Показано, що духовне освоєння світу переводить об’єкти в культурні феномени і є умовою творення особистості та вирішення актуальних проблем морального і соціального життя.

Історичній свідомості як складовій частині суспільної свідомості притаманні генеалогічні інваріанти свідомості взагалі й суспільної свідомості зокрема. Разом з тим історична свідомість володіє низкою оригінальних особливостей і факторів становлення. Важливим і актуальним дослідницьким завданням сучасної філософії історії є понятійне розмежування історичного знання, пізнання, розуміння та інтерпретації. Ключового значення набуває розгляд ціннісного аспекту історії, колізій об’єктивної фактичності та суб’єктивного значення.

Purpose. The aim of the work is to determine the features of media culture that bind it with mass culture and mass communications and have the most significant effect on the general principles of the religious mass communication. In addition, the objective is to identify the skills system and traits of mass human that are necessary for using media culture. Methodology. The methodological basis is related to structuring, analytical analysis and synthesis of media features; highlighting phenomena that illustrate modern communicative (...) situation; characteristics of media trends influence for the specific functioning of religious communication. Scientific novelty. Main part of the work is devoted to the analysis of the progressive media culture, mass-media and their main features, design of religious communication in this culture. Media gradually form the appearance of religious communication quietly, especially the mass one, they adapt the modern religious discourse to rates of transfer and perception of information. Modern believer gets a lot of different kinds of religious information, on any subject, any explanation of the religious question, with respect to any religion. Such volume of religious information and the speed with which a person receives it, does not usually make it religious or spiritually advanced, but only informed. Spiritual perfection and religious development, religious communication is possible only when the customer is aware of media culture and way of seeing the ultimate goal of such communications using the Mass Media. So far these mechanisms are perfectly designed in traditional religious communication. Phenomena, that reflects the dramatic changes in the communicative environment are: mediatization of body and mind, the new practice of processing / reading information, the phenomenon of simultaneous perception of a large number of information channels – similar or different. Features of media culture that connect it with popular culture and are more likely to influence contemporary religious communication are such: visualization, technicality, handling large amounts of information, the creation of a specific picture of the world. Conclusions. Analyzed features of culture media give the possibility to draw conclusions about the necessary features that should have religious believer for successful communication with the help of modern media. These are: interactivity, constant access to information, the appropriate level of education, conformity. (shrink)

Brian Gregor draws together a hermeneutics of the self—through Heidegger, Gadamer, Ricoeur, and Taylor—and a theology of the cross—through Luther, Kierkegaard, Bonhoeffer, and Jüngel.

This book is the first to explore in detail the role that symbolic representation plays in the architecture of Kant's philosophy. Symbolic representation fulfills a crucial function in Kant's practical philosophy because it serves to mediate between the unconditionality of the categorical imperative and the inescapable finiteness of the human being. By showing how the nature of symbolic representation plays out across all areas of the practical philosophy - moral philosophy, legal philosophy, philosophy of history and philosophy of religion - (...) Heiner Bielefeldt offers a unique perspective on how these various facets of Kant's philosophy cohere. (shrink)