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  1. A Generative Theory of Tonal Music.Fred Lerdahl & Ray Jackendoff - 1987 - Journal of Aesthetics and Art Criticism 46 (1):94-98.
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  • Emotion and meaning in music.Leonard B. Meyer - 1956 - [Chicago]: University of Chicago Press.
    Analyzes the meaning expressed in music, the social and psychological sources of meaning, and the methods of musical communication This is a book meant for ...
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  • The dynamics of attending: How people track time-varying events.Edward W. Large & Mari Riess Jones - 1999 - Psychological Review 106 (1):119-159.
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  • The referential dynamics of cognition and action.Jeff Pressing - 1999 - Psychological Review 106 (4):714-747.
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  • The discrimination of speech sounds within and across phoneme boundaries.Alvin M. Liberman, Katherine Safford Harris, Howard S. Hoffman & Belver C. Griffith - 1957 - Journal of Experimental Psychology 54 (5):358.
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  • Rhythmic (hierarchical) versus serial structure in speech and other behavior.James G. Martin - 1972 - Psychological Review 79 (6):487-509.
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  • Metre and rhythm in piano playing.L. Henry Shaffer, Eric F. Clarke & Neil P. Todd - 1985 - Cognition 20 (1):61-77.
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  • Probing the cognitive representation of musical time: Structural constraints on the perception of timing perturbations.Bruno H. Repp - 1992 - Cognition 44 (3):241-281.
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  • Time, our lost dimension: Toward a new theory of perception, attention, and memory.Mari R. Jones - 1976 - Psychological Review 83 (5):323-355.
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  • The Stratification of Musical Rhythm.Maury Yeston - 1976 - Journal of Aesthetics and Art Criticism 35 (2):244-245.
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  • The effect of rate of sequence upon the accuracy of synchronization.H. Woodrow - 1932 - Journal of Experimental Psychology 15 (4):357.
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