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  1. Aquinas on Forms, Substances and Artifacts.Anna Marmodoro & Ben Page - 2016 - Vivarium 54 (1):1-21.
    _ Source: _Volume 54, Issue 1, pp 1 - 21 Thomas Aquinas sees a sharp metaphysical distinction between artifacts and substances, but does not offer any explicit account of it. We argue that for Aquinas the contribution that an artisan makes to the generation of an artifact compromises the causal responsibility of the form of that artifact for what the artifact is; hence it compromises the metaphysical unity of the artifact to that of an accidental unity. By contrast, the metaphysical (...)
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  • Medieval theories: properties of terms.Stephen Read - 2002 - Stanford Encyclopedia of Philosophy 1:1-13.
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  • Substance and Artifact in Thomas Aquinas.Michael Rota - 2004 - History of Philosophy Quarterly 21 (3):241 - 259.
    Current interpretations of Aquinas often attribute to him the claim that no artifact is a substance, or, more precisely, the claim that, (A1) No artifact is a substance in virtue of its form. Robert Pasnau, for example, tells us that “Aquinas is committed to the view that all artifacts are nonsubstances with respect to their form.” And Eleonore Stump writes: "An artifact is thus a composite of things configured together into a whole but not by a substantial form. Since only (...)
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  • Walter Burley.Alessandro Conti - 2008 - Stanford Encyclopedia of Philosophy.
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  • Supposition and properties of terms.Christoph Kann - 2016 - In Catarina Dutilh Novaes & Stephen Read, The Cambridge Companion to Medieval Logic. Cambridge: Cambridge University Press. pp. 220-244.
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  • Ontology - Bibliographical Guide.Raul Corazzon - unknown
    Table of Formal and Descriptivists Ontologists (PDF - from Bernard Bolzano to present time) Ontologists of the 19th and 20th Centuries (a selection of critical judgments about some of the greatest philosophers of the recent past) Living Ontologists (a list of authors with an interest in ontology, with synthetic bibliographies).
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  • Paul of venice.Alessandro Conti - 2008 - Stanford Encyclopedia of Philosophy.
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  • L'ontologie des artificialia selon Walter Burley.Alice Lamy - 2012 - Rivista di Storia Della Filosofia:471-491.
    The relationship between Ars and Natura undergoes a manifest evolution from Aristotle to the medieval period and the time of Walter Burley. While Aristotle views all the possible complementarities between natural things and artificial things with regard to their perfection, the medieval commentators from Doctor planus and perspicuus on define artificialia in natural philosophy increasingly as perfect figures in actuality, divisible and with infinitely arrangeable parts. In Burley's works in particular, the products of art are likened to geometrical figures within (...)
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  • Marilyn McCord Adams, William Ockham. [REVIEW]Stephen Read - 1990 - Philosophical Quarterly 40 (161):537-538.
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  • Artificialia und Naturalia nach Wilhelm von Ockham Wandlungen in dem Begriff der Unterscheidung zwischen Kunst und Natur.Henri Adrien Krop - 1991 - In Albert Zimmermann & Andreas Speer, Mensch und Natur im Mittelalter, 2. Halbbd. De Gruyter. pp. 952-964.
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