This paper argues that Descartes conceives of theoretical reason in terms derived from practical reason, particularly in the role he gives to the passions. That the passions serve — under normal circumstances — to preserve the union of mind and body is a well-known feature of Descartes's defense of our native make-up. But they are equally important in our more purely theoretical endeavors. Some passions, most notably wonder, provide a crucial source of motivation in the search after truth, and also (...) serve to reinforce memory. Our cognitive successes and failure scan also be tracked by passions and trains of passions. (shrink)

This paper develops a programmatic 'theory sketch' of a new theory of humour, pitched at roughly the same level of detail, and intended to have roughly the same level of inclusiveness, as the other available philosophical "theories" of humour. I will call the theory I propose the distance theory. After an appeal to some intuitive illustrations of the distance theory's attractions, I move on to offer an analysis of observational comedy using the distance theory. I conclude the paper with some (...) speculative remarks about the possible connections between the practice of observational comedy and the discipline of philosophy. (shrink)

The question “What is humour?” has exercised in varying degrees such philosophers as Aristotle, Hobbes, Hume, Kant, Schopenhauer and Bergson and has traditionally been regarded as a philosophical question. And surely it must still be regarded as a philosophical question at least in so far as it is treated as a conceptual one. Traditionally the question has been regarded as a search for the essence of humour, whereas nowadays it has become almost a reflex response among some philosophers to dismiss (...) the search for essences as misconceived. Humour, it will be said, is a family-resemblance concept: no one could hope to compile any short list of essential properties abstracted from all the many varieties of humour— human misfortune and clumsiness, obscenity, grotesqueness, veiled insult, nonsense, wordplay and puns, human misdemeanours and so on, as manifested in forms as varied as parody, satire, drama, clowning, music, farce and cartoons. Yet even if the search for the essence of humour seems at first sight unlikely to succeed, I do not see how we can be sure in advance of any conceptual investigation; and in any case we might do well to start with the old established theories purporting to give the essence of humour, for even if they are wrong they may be illuminatingly wrong and may help us to compile a list of typical characteristics. (shrink)

This paper pursues the double task of presenting Cassirer’s Philosophy of Symbolic Forms as a systematic critique of culture and assessing this systematic approach with regards to the question of reason vs. relativism. First, it reconstructs the development of his theory to its mature presentation in his Philosophy of Symbolic Forms. Cassirer here presents a critique of culture as fulfilling Kant’s critical work by insisting on the plurality of reason as spirit, manifesting itself in symbolic forms. In the second part, (...) the consequences of this approach will be drawn by considering the systematics Cassirer intended with this theory. As can be reconstructed from his metaphilosophical reflections, the strength of Cassirer’s philosophy is that it accounts for the plurality of rational-spiritual activity while at the same time not succumbing to a relativism. The Philosophy of Symbolic Forms steers a middle course between a rational fundamentalism and a postmodern relativism. (shrink)

Husserl is often taken, and not without reason, to endorse the view that phenomenology's task is to provide the “absolute foundation” of human knowledge. In this paper, I will argue that the most natural interpretation of this view, namely that all human knowledge depends for its justification, at least in part, on phenomenological knowledge, is philosophically untenable. I will also present evidence that Husserl himself held no such view, and will argue that Dan Zahavi and John Drummond, though reaching the (...) same conclusion, reach it for the wrong reasons. In the process, I will also defend a brand of epistemological externalism according to which knowledge does not depend upon knowing the epistemic principles under which one's knowledge falls, and argue that Husserl himself held such a view. I conclude with a discussion of a few of the ways in which phenomenology positively contributes to human knowledge. (shrink)

This chapter explores Edmund Husserl’s ground-breaking discussion of the “natural attitude” (die natürliche Einstellung) in Ideen I (1913) in relation to his conception of the “life-world” (Lebenswelt), a term that emerges in his writings around 1917 and becomes perhaps the most prominent theme of Krisis (1936 and 1954). I contend that the parallels between the “natural surrounding world” (natürliche Umwelt) of Ideen I and the “life-world” of Krisis have not been sufficiently explored by commentators. It also examines the relation between (...) Husserl’s critique of the scientific world-view and the Vienna Circle’s advocacy of the scientific world-view in the late 1920s. (shrink)

In his pioneering sociological theory, which makes phenomenological concepts fruitful for the social sciences, Alfred Schütz has laid foundations for a characterization of an manifold of distinct domains of experience. My aim here is to further develop this pluralist theory of experience by buttressing and extending the elements of diversity that it includes, and by eliminating or minimizing lingering imbalances among the domains of experience. After a critical discussion of the criterion-catalogue Schütz develops for the purpose of characterizing different cognitive (...) styles, I move on to examine its application to one special style, the lifeworld. I appeal, on the one hand, to Husserl's characterization of the lifeworld as a world of perception, and on the other hand to the layer-model of the lifeworld developed by Schütz and Thomas Luckmann. A consequence of this approach is that the lifeworld appears as a socially definable context that is detached from other experiences but on an equal footing with them with respect to their claim of validity. The term "lifeworld" does not denote a category that encompasses culture or nature but refers to a delimited action-space. Finally, I draw upon Schütz' s criterion-catalogue to characterize two domains of experience outside of the lifeworld, which play a central role for the process of differentiation of experience in modernity and for the phenomenological analysis of types of experience: experimental science and subjectivity. (shrink)

When theorists have studied humor, they often assumed that laughter was either a necessary or a sufficient condition of humor. It is neither. Although humorous events usually evoke laughter, they do not do so invariably. Humor may evoke smiles or smirks which fall short of laughter. Thus it is not a necessary condition. Nor is it a sufficient condition. People may laugh because they are uncomfortable (nervous laughter), they may laugh at someone (derisive laughter), they may laugh because they are (...) insane or mentally imbalanced (hysterical laughter), or they may laugh because they are physiologically induced to do so (as when someone tickles them relentlessly). Perhaps these other forms of laughter are philosophically interesting, but they are not forms of humor and so are beyond the reach of this essay. (shrink)