If, as Lefebvre argues, every society produces its own social space, then modernity might be characterized by that (anti-)social and instrumental space epitomized and idealized in Le Corbusier's writings. This repetitively patterned space consumes and regulates the differences between places and people; it encapsulates a normalizing morality that seeks to reduce all differences to an economic order of the Same. Lefebvre's dialectical conceptualization of 'difference' can both help explain the operation of this (im)moral landscape and offer the possibility of alternative (...) post-modern social spaces that might produce and respect Otherness. In this sense Lefebvre's work is an incipient 'difference ethics'. (shrink)

Geographical Imaginations is at once a profound and penetrating reading of geography as a discipline and a discourse, and also an imaginative and sustained attempt to situate that discourse within the fabric of contemporary social theory. Its focus is on understanding the ways in which social life is variously embedded in place, space and landscape. In the fulfillment of this objective, historical imagination, textual exegesis, philosophical scrutiny, sociological interpretation, and geographical sensitivity are interwoven in such a way as to move (...) spatial discourse to new levels of sophistication and subtlety. In mapping human geography into contemporary social theory, the author addresses, reinterprets and questions key theoretical debates and issues - postcolonialism, structuration theory, feminism, deconstruction, postmodernism and poststructuralism - and explores the crucial connection between space, power and knowledge. Deftly argued and illustrated throughout with pointed examples, Geographical Imaginations is both a lucid critique of contemporary social theory and a fundamental contribution to the understanding of social life and its intrinsic spatiality. (shrink)

An intellectual adventure, this book engages with some of the most important academic debates of our time.

Henri Lefebvre has considerable claims to be the greatest living philosopher. His work spans some sixty years and includes original work on a diverse range of subjects, from dialectical materialism to architecture, urbanism and the experience of everyday life. The Production of Space is his major philosophical work and its translation has been long awaited by scholars in many different fields. The book is a search for a reconciliation between mental space and real space. In the course of his exploration, (...) Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between philosophy and reality. In doing so, he ranges through art, literature, architecture and economics, and further provides a powerful antidote to the sterile and obfuscatory methods and theories characteristic of much recent continental philosophy. This is a work of great vision and incisiveness. It is also characterized by its author's wit and by anecdote, as well as by a deftness of style which Donald Nicholson-Smith's sensitive translation precisely captures. (shrink)

Modernist ideas have pervaded every form of design, from graphics to architecture, as well as being a key influence on art, literature and music. In this comprehensive survey, Richard Weston traces the course of Modernism from its beginnings to its contemporary manifestations. He explores the Modernist movements of the early twentieth century - Cubism, Surrealism, Futurism and Purism - and concludes with the 'post-modernist' experiments of the 1980s and 1990s. He shows how the 'tradition of the new' became the creative (...) credo of a small group of progressive artists and how, with the emigration of leading German Modernists to Britain and the USA in the 1930s, the theory and practice of Modernism became widespread. What had begun as a cluster of loosely related artistic movements scattered across Europe emerged as the dominant style of the twentieth century. (shrink)