Jeff Mitscherling demonstrates, in this extensive work, how Ingarden's thought constitutes a major contribution to the more fundamental fields of ontology and metaphysics.

While Ingarden makes only infrequent reference to Aristotle, The Philosopher’s presence can be discerned throughout his published works. Perhaps mostsignificantly, when Ingarden returned to work on Controversy over the Existence of the World in 1938, he immersed himself in the study of Aristotle’s Metaphysics, and the entire framework of Controversy appears to have been inspired by reflection on central Aristotelian concepts. Ingarden’s understanding of the Aristotelian conception of the relation between form and matter, and indeed the Aristotelian character of Ingarden’s (...) ontology as a whole, stands in sharp contrast not only to Husserl’s transcendental idealism, but also to the materialist orientation of current mainstream research in cognitive science. It is hoped that this brief examination might serve to introduce to this research a realist phenomenological orientation that is capable of embracing and elucidating insights from both materialist and idealist approaches to the study of cognition. (shrink)

This book reverses the fundamental tenet of phenomenology-that all consciousness is intentional . Mitscherling rehabilitates the pre-modern concepts of 'intentional being' and 'formal causality' in the construction of a comprehensive phenomenological analysis of embodiment, aesthetic experience, interpretation of texts, moral behavior, and cognition.

Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and ...

Introduction The starting point for our reflections upon the musical work will be the unsystematized convictions that we encounter in daily life in our communion with musical works before we succumb to one particular theory or another.